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The Primitive, the Aesthetic, and the Savage - An Enlightenment Problematic (Paperback, New)
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The Primitive, the Aesthetic, and the Savage - An Enlightenment Problematic (Paperback, New)
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Tony C. Brown examines "the inescapable yet infinitely troubling
figure of the not-quite-nothing" in Enlightenment attempts to think
about the aesthetic and the savage. The various texts Brown
considers-including the writings of Addison, Rousseau, Kant, and
Defoe-turn to exotic figures in order to delimit the aesthetic, and
to aesthetics in order to comprehend the savage. In his intriguing
exploration Brown discovers that the primitive introduces into the
aesthetic and the savage an element that proves necessary yet
difficult to conceive. At its most profound, Brown explains, this
element engenders a loss of confidence in one's ability to
understand the human's relation to itself and to the world. That
loss of confidence-what Brown refers to as a breach in
anthropological security-traces to an inability to maintain a sense
of self in the face of the New World. Demonstrating the impact of
the primitive on the aesthetic and the savage, he shows how the
eighteenth-century writers he focuses on struggle to define the
human's place in the world. As Brown explains, these authors go
back again and again to "exotic" examples from the New World-such
as Indian burial mounds and Maori tattooing practice-making them so
ubiquitous that they come to underwrite, even produce, philosophy
and aesthetics.
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