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Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Solo Performances - Staging the Early Modern Self in England (Paperback)
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Solo Performances - Staging the Early Modern Self in England (Paperback)
Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 132
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In this volume an international cast of scholars explores
conceptions of the self in the literature and culture of the Early
Modern England. Drawing on theories of performativity and
performance, some contributors revisit monological speech and the
soliloquy - that quintessential solo performance - on the stage of
Marlowe, Shakespeare and Jonson. Other authors move beyond the
theatre as they investigate solo performances in different cultural
locations, from the public stage of the pillory to the mental stage
of the writing self. All contributors analyse corporeality, speech,
writing and even silence as interrelated modes of self-enactment,
whether they read solo performances as a way of inventing,
authorizing or even pathologizing the self, or as a mode of
fashioning sovereignty. The contributions trace how the performers
appropriate specific discourses, whether religious, medical or
political, and how they negotiate hierarchies of gender, rank or
cultural difference. The articles cut across a variety of genres
including plays and masques, religious tracts, diaries and
journals, poems and even signatures. The collection links research
on the inward and self-reflexive dimension of solo-performances
with studies foregrounding the public and interactive dimension of
performative self-fashioning. The articles collected here offer new
perspectives on Early Modern subjectivity and will be of interest
to all scholars and students of the Early Modern period.
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