Books > Arts & Architecture > History of art / art & design styles > 500 CE to 1400
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Defaced - The Visual Culture of Violence in the Late Middle Ages (Paperback)
Loot Price: R546
Discovery Miles 5 460
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Defaced - The Visual Culture of Violence in the Late Middle Ages (Paperback)
Series: Zone Books
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Loot Price R546
Discovery Miles 5 460
Expected to ship within 12 - 17 working days
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Understanding late medieval pictorial representations of violence.
Destroyed faces, dissolved human shapes, invisible enemies:
violence and anonymity go hand in hand. The visual representation
of extreme physical violence makes real people nameless exemplars
of horror-formless, hideous, defaced. In Defaced, Valentin Groebner
explores the roots of the visual culture of violence in medieval
and Renaissance Europe and shows how contemporary visual culture
has been shaped by late medieval images and narratives of violence.
For late medieval audiences, as with modern media consumers, horror
lies less in the "indescribable" and "alien" than in the familiar
and commonplace. From the fourteenth century onward, pictorial
representations became increasingly violent, whether in depictions
of the Passion, or in vivid and precise images of torture,
execution, and war. But not every spectator witnessed the same
thing when confronted with terrifying images of a crucified man,
misshapen faces, allegedly bloodthirsty conspirators on nocturnal
streets, or barbarian fiends on distant battlefields. The profusion
of violent imagery provoked a question: how to distinguish the
illegitimate violence that threatened and reversed the social order
from the proper, "just," and sanctioned use of force? Groebner
constructs a persuasive answer to this question by investigating
how uncannily familiar medieval dystopias were constructed and
deconstructed. Showing how extreme violence threatens to disorient,
and how the effect of horror resides in the depiction of minute
details, Groebner offers an original model for understanding how
descriptions of atrocities and of outrageous cruelty depended, in
medieval times, on the variation of familiar narrative motifs.
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