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Medieval Crossover - Reading the Secular against the Sacred (Hardcover)
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Medieval Crossover - Reading the Secular against the Sacred (Hardcover)
Series: Conway Lectures in Medieval Studies
Expected to ship within 12 - 17 working days
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The sacred and the secular in medieval literature have too often
been perceived as opposites, or else relegated to separate but
unequal spheres. In Medieval Crossover: Reading the Secular against
the Sacred, Barbara Newman offers a new approach to the many ways
that sacred and secular interact in medieval literature, arguing
that (in contrast to our own cultural situation) the sacred was the
normative, unmarked default category against which the secular
always had to define itself and establish its niche. Newman refers
to this dialectical relationship as "crossover"-which is not a
genre in itself, but a mode of interaction, an openness to the
meeting or even merger of sacred and secular in a wide variety of
forms. Newman sketches a few of the principles that shape their
interaction: the hermeneutics of "both/and," the principle of
double judgment, the confluence of pagan material and Christian
meaning in Arthurian romance, the rule of convergent idealism in
hagiographic romance, and the double-edged sword in parody.
Medieval Crossover explores a wealth of case studies in French,
English, and Latin texts that concentrate on instances of paradox,
collision, and convergence. Newman convincingly and with great
clarity demonstrates the widespread applicability of the crossover
concept as an analytical tool, examining some very disparate works.
These include French and English romances about Lancelot and the
Grail; the mystical writing of Marguerite Porete (placed in the
context of lay spirituality, lyric traditions, and the Romance of
the Rose); multiple examples of parody (sexually obscene,
shockingly anti-Semitic, or cleverly litigious); and Rene of
Anjou's two allegorical dream visions. Some of these texts are
scarcely known to medievalists; others are rarely studied together.
Newman's originality in her choice of these primary works will
inspire new questions and set in motion new fields of exploration
for medievalists working in a large variety of disciplines,
including literature, religious studies, history, and cultural
studies.
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