The Romantic phenomenon of multiple texts has been shaped by the
link between revision and authorial intent. However, what has been
overlooked are the profound implications of multiple and
contradictory versions of the same text for a materialist approach;
using the works of Coleridge as a case study and the afterlife of
the French Revolution as the main theme, this monograph lays out
the methodology for a more detailed multi-layered analysis.
Scrutinising four works of Coleridge (two poems, a newspaper
article and a play), where every major variant is read as a
separate work with its own distinct socio-historical context,
Ve-Yin Tee challenges the notion that any one text is
representative of its totality. By re-reading Coleridge in the
light of alternative textual materials within that time, he opens a
wider scope for meaning and the understanding of Coleridge's
oeuvre.
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