In her heyday, Martha Graham's name was internationally recognized
within the modern dance world, and though trends in choreography
continue to change, her status in dance still inspires regard. In
this, the first extended feminist look at this modern dance
pioneer, Victoria Thoms explores the cult of Graham and her dancing
through a feminist lens that exposes the gendered meaning behind
much of her work. Thoms synthesizes a diverse archive of material
on Graham from films, photographs, memoir, and critique in order to
uniquely highlight her contribution to the dance world and arts
culture in general.
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