Writing for radio brings together theoretical and practical aspects
of radio writing. It deals with writing for all principal radio
genres - short stories, plays, documentaries/drama documentaries,
talks and features, adaptations/dramatisations, poems, and
advertisements. It contains historical overviews of the genesis and
development of each of these categories and attempts an analysis of
the nature of radio itself. For the first time there is an attempt
to isolate a 'radio language', a syntax and vocabulary guaranteed
to produce pictures in the mind of the listener. This means radio
can be taught as an academic subject as all writing - prose, drama
and verse, can be tested as radio and examples for analysis are
used from both broadcast and non-broadcast work. -- .
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