In her award-winning, critically acclaimed "Women's Writing in
Italy, 1400-1650," Virginia Cox chronicles the history of women
writers in early modern Italy--who they were, what they wrote,
where they fit in society, and how their status changed during this
period. In this book, Cox examines more closely one particular
moment in this history, in many ways the most remarkable for the
richness and range of women's literary output.
A widespread critical notion sees Italian women's writing as a
phenomenon specific to the peculiar literary environment of the
mid-sixteenth century, and most scholars assume that a reactionary
movement such as the Counter-Reformation was unlikely to spur its
development. Cox argues otherwise, showing that women's writing
flourished in the period following 1560, reaching beyond the
customary "feminine" genres of lyric, poetry, and letters to
experiment with pastoral drama, chivalric romance, tragedy, and
epic. There were few widely practiced genres in this eclectic phase
of Italian literature to which women did not turn their hand.
Organized by genre, and including translations of all excerpts
from primary texts, this comprehensive and engaging volume provides
students and scholars with an invaluable resource as interest in
these exceptional writers grows. In addition to familiar, secular
works by authors such as Isabella Andreini, Moderata Fonte, and
Lucrezia Marinella, Cox also discusses important writings that have
largely escaped critical interest, including Fonte's and
Marinella's vivid religious narratives, an unfinished Amazonian
epic by Maddalena Salvetti, and the startlingly fresh
autobiographical lyrics of Francesca Turina Bufalini.
Juxtaposing religious and secular writings by women and tracing
their relationship to the male-authored literature of the period,
often surprisingly affirmative in its attitudes toward women, Cox
reveals a new and provocative vision of the Italian
Counter-Reformation as a period far less uniformly repressive of
women than is commonly assumed.
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