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Performing Blackness on English Stages, 1500-1800 (Paperback)
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Performing Blackness on English Stages, 1500-1800 (Paperback)
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Performing Blackness on English Stages, 1500 1800 examines early
modern English actors' impersonations of black Africans. Those
blackface performances established dynamic theatrical conventions
that were repeated from play to play, plot to plot, congealing over
time and contributing to English audiences' construction of racial
difference. Vaughan discusses non-canonical plays, grouping of
scenes, and characters that highlight the most important
conventions - appearance, linguistic tropes, speech patterns, plot
situations, the use of asides and soliloquies, and other dramatic
techniques - that shaped the ways black characters were 'read' by
white English audiences. In plays attended by thousands of English
men and women from the sixteenth century to the end of the
eighteenth, including Titus Andronicus, Othello and Oroonoko,
blackface was a polyphonic signifier that disseminated distorted
and contradictory, yet compelling, images of black Africans during
the period in which England became increasingly involved in the
African slave trade.
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