"The books line up on my shelf like bright Bodhisattvas ready to
take tough questions or keep quiet company. They stake out a vast
territory, with works from two millennia in multiple genres:
aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"
"No effort has been spared to make these little volumes as
attractive as possible to readers: the paper is of high quality,
the typesetting immaculate. The founders of the series are John and
Jennifer Clay, and Sanskritists can only thank them for an
initiative intended to make the classics of an ancient Indian
language accessible to a modern international audience."
--"The Times Higher Education Supplement"
aThe Clay Sanskrit Library represents one of the most admirable
publishing projects now afoot. . . . Anyone who loves the look and
feel and heft of books will delight in these elegant little
volumes."
--"New Criterion"
"Published in the geek-chic format."
--"BookForum"
"Very few collections of Sanskrit deep enough for research are
housed anywhere in North America. Now, twenty-five hundred years
after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit
Library may remedy this state of affairs."
--"Tricycle"
aNow an ambitious new publishing project, the Clay Sanskrit
Library brings together leading Sanskrit translators and scholars
of Indology from around the world to celebrate in translating the
beauty and range of classical Sanskrit literature. . . . Published
as smart green hardbacks that are small enough to fit into a jeans
pocket, the volumes are meant to satisfy both the scholar and the
lay reader. Each volume has a transliteration of the original
Sanskrit texton the left-hand page and an English translation on
the right, as also a helpful introduction and notes. Alongside
definitive translations of the great Indian epics -- 30 or so
volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit
Library makes available to the English-speaking reader many other
delights: The earthy verse of Bhartri-hari, the pungent satire of
Jayanta Bhatta and the roving narratives of Dandin, among others.
All these writers belong properly not just to Indian literature,
but to world literature.a
--"LiveMint"
aThe Clay Sanskrit Library has recently set out to change the
scene by making available well-translated dual-language (English
and Sanskrit) editions of popular Sanskritic texts for the
public.a
--"Namarupa"
The aristocrat who wrote this vigorous political play eschewed
sentimentality in favor of realistic characterization and forceful
action. It is 316 BCE, one year after Chandra-gupta Maurya, aided
by his subtle minister Chanakya, has seized the kingdom of Magadha
from the last king of the Nanda dynasty. Rakshasa, Nandaas
incorruptible minister, flees abroad and plots his vengeance, while
Chanakya seeks to win him over to honor Chandra-gupta Maurya as his
new king.
The aristocrat who wrote this vigorous political play eschewed
sentimentality in favor of realistic characterization and forceful
action. It is 316 BCE, one year after Chandra-gupta Maurya, aided
by his subtle minister Chanakya, has seized the kingdom of Magadha
from the last king of the Nanda dynasty. Rakshasa, Nanda's
incorruptible minister, flees abroad and plots his vengeance, while
Chanakya seeks to win him over to honor Chandra-gupta Maurya as his
newking.
Co-published by New York University Press and the JJC
Foundation
For more on this title and other titles in the Clay Sanskrit
series, please visit http: //www.claysanskritlibrary.org
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