As the twentieth century draws to a close, Arnold Schoenberg
(1874-1951) is being acknowledged as one of its most significant
and multifaceted composers. "Schoenberg and His World" explores the
richness of his genius through commentary and documents.
Marilyn McCoy opens the volume with a concise chronology, based
on the latest scholarship, of Schoenberg's life and works. Essays
by Joseph Auner, Leon Botstein, Reinhold Brinkmann, J. Peter
Burkholder, Severine Neff, and Rudolf Stephan examine aspects of
his creative output, theoretical writings, relation to earlier
music, and the socio-cultural contexts in which he worked.
The documentary portions of "Schoenberg and His World" capture
Schoenberg at critical periods of his career: during the first
decades of the century, primarily in his native Vienna; from 1926
to 1933, in Berlin; and from 1933 on, in the U.S. Included here is
the first complete translation into English of the remarkable
"Festschrift "prepared for the 38-year-old Schoenberg by his pupils
in 1912; it presciently explored the diverse talents as a composer,
teacher, painter, and theorist for which he was later to be
recognized. The Berlin years, when he held one of the most
prestigious teaching positions in Europe, are represented by
interviews with him and articles about his public lectures.
The final portion of the volume, devoted to the theme Schoenberg
and America, focuses on how the composer viewed--and was viewed
by--the country where he spent his final eighteen years. Sabine
Feisst brings together and comments upon sources which, contrary to
much received opinion, attest to both the considerable impact that
Schoenberg had upon his newly adopted land and his own deep
involvement in its musical life.
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