Though often thought of as rivals, Ralph Ellison, James Baldwin,
and Amiri Baraka shared a range of interests, especially a passion
for music. Jazz, in particular, was a decisive influence on their
thinking, and, as "The Shadow and the Act" reveals, they drew on
their insights into the creative process of improvisation to
analyze race and politics in the civil rights era. In this inspired
study, Walton M. Muyumba situates them as a jazz trio,
demonstrating how Ellison, Baraka, and Baldwin's individual works
form a series of calls and responses with each other.
Muyumba connects their writings on jazz to the philosophical
tradition of pragmatism, particularly its support for more freedom
for individuals and more democratic societies. He examines the way
they responded to and elaborated on that lineage, showing how they
significantly broadened it by addressing the African American
experience, especially its aesthetics. Ultimately, Muyumba
contends, the trio enacted pragmatist principles by effectively
communicating the social and political benefits of African
Americans fully entering society, thereby compelling America to
move closer to its democratic ideals.
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