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ReNew Marxist Art History (Paperback)
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ReNew Marxist Art History (Paperback)
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From the early decades of the 20th century until the 1980s, Marxist
art history was at the forefront of radical approaches to the
discipline. Some of the most influential names in the field were
active proponents of Marxist thought: Frederick Antal, Max Raphael,
Arnold Hauser, Meyer Schapiro, T. J. Clark, to name just a few. But
in the last two decades of the century and into the next, Marxist
art historians found themselves marginalized from the vanguard by
the rise of postmodernism and identity politics, which began to
dominate the subject. This came at a time when Marxism in general
was itself increasingly perceived as outdated after the collapse of
communism. But in the wake of the recent global crisis there has
been a resurgence in interest in Marx, especially among younger
generations. Similarly, many progressive art historians are once
again recognizing the relevance of his ideas to their own practice.
This collection of essays - a festschrift in honour of leading
Marxist art historian Andrew Hemingway - brings together thirty
academics who are reshaping art history along Marxist lines. Coming
from the the United States, Britain, Europe and Asia, they apply
Marx's theories to a wide range of arthistorical subjects. American
art of the mid-nineteenth century; the rise of modernism in Weimar
Germany; Mexican muralism; Situationism in 1960s Paris; and
photography and contemporary art - these are just some of the areas
considered through the lens of Marxism as it is understood today.
And in the spirit of Marxism's long tradition of self-critique, the
contributors also examine the shifting agendas and limitations of
Marxist art history itself, acutely aware of the specific
historical and political circumstances in which it is produced. As
such, this book not only provides the very latest in Marxist
art-historical writing, it also acts an essential introduction to
one of the most vibrant and relevant forms of art history today -
one that looks to the past but is also marked by an urgent sense of
the present.
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