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Film Figures - An Organological Approach
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Film Figures - An Organological Approach
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Film Figures develops a figural account of the memory structure of
films. Employing theoretical concepts drawn from a range of
sources, including French post-humanist philosophy and German
Idealism, this book undertakes an organology of film guided by the
work of Bernard Stiegler whose philosophy of mnemotechnesis
provides a framework of analysis. Situating films in the quantum
field of spacetime relativity as a field of cosmic views, Film
Figures begins with disturbances in the experience of films
themselves, posing questions of the relation between the dead past
and the living future in film story-telling. By breaking the
façade of the continuing present through self-questioning, Mules
opens films to their figural dimensions in the counter-movement of
drive as negentropic resistance. Following the back-movement of
drive switches, our perception to the figural register in which
characters become figures probing blindly for what the film will
have been in another time – a time yet to be lived. By following
the anterior possibilities of this other time, we open films to the
archival future in which a new future comes forth. Film Figures
provides theoretical and analytical concepts, as well as strategies
for taking a step into this future, guided by questions of the
right path to take given the relativity of views in which the film
can be experienced. Films analysed include Murnau’s The Last
Laugh, Capra’s It’s a Wonderful Life, Hitchcock’s Rear
Window, Welles’s The Lady from Shanghai, Fellini’s Intervista,
Antonioni’s L’Eclisse, Bresson’s Une Femme Douce, and
Zeller’s The Father.
General
Imprint: |
Bloomsbury Academic USA
|
Country of origin: |
United States |
Release date: |
February 2024 |
Authors: |
Warwick Mules
(Adjunct Associate Professor)
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Dimensions: |
229 x 152mm (L x W) |
Pages: |
192 |
ISBN-13: |
978-1-5013-6121-0 |
Categories: |
Books
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LSN: |
1-5013-6121-X |
Barcode: |
9781501361210 |
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