In his own day, Godefridus Schalcken (1643-1706) was an
internationally renowned Dutch painter, but little is known about
the four years that he spent in London. Using newly discovered
documents, this book provides the first comprehensive examination
of Schalcken's activities there. The author analyses Schalcken's
strategic appropriations of English styles, his attempts to exploit
gaps in the art market, and his impact on tastes in London's
milieu. Five chapters survey his art during these years, concluding
with a critical catalogue of all his London-period work.
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