Despite the tremendous number of studies produced annually in the
field of Dutch art over the last 30 years or so, and the strong
contemporary market for works by Dutch masters of the period as
well as the public's ongoing fascination with some of its most
beloved painters, until now there has been no comprehensive study
assessing the state of research in the field. As the first study of
its kind, this book is a useful resource for scholars and advanced
students of seventeenth-century Dutch art, and also serves as a
springboard for further research. Its 19 chapters, divided into
three sections and written by a team of internationally renowned
art historians, address a wide variety of topics, ranging from
those that might be considered "traditional" to others that have
only drawn scholarly attention comparatively recently.
General
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