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Women Art Critics in Nineteenth-Century France - Vanishing Acts (Paperback)
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Women Art Critics in Nineteenth-Century France - Vanishing Acts (Paperback)
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Over the past years, studies have begun not only to identify the
factors that impeded the full participation of women artists in
French cultural life, such as women's limited access to
professional art education, but also to bring to light the
considerable artistic accomplishments of women occluded by
historians for over a century. A similar effort at historical
revision has been under way for French women writers. Works of
fiction that enjoyed many editions in the nineteenth-century
receded from our field of vision for almost a century before being
rediscovered and reissued during the last decades of the twentieth
century. Such efforts have resulted in scholarship that has helped
revise the history of both artistic and literary expression in
nineteenth-century France. Similarly, many women in
nineteenth-century France had their art criticism published both in
journal reviews and in book form, often for decades, in a number of
the most influential venues of their day. However, it is perplexing
that they remain almost totally invisible in histories of French
culture. Women Art Critics in Nineteenth-Century France: Vanishing
Acts is the first sustained effort to bring these prolific and
influential critics out from the shadows. Although each of the
chapters in this volume results from an interdisciplinary approach,
the fact that they are written by scholars in art history and in
literature means that there will be inevitable differences in
approach and methodology. Thus, we study the women's reception of
specific artworks and aesthetic movements, discuss intersections of
aesthetics and politics in their essays and the literary styles and
rhetorical strategies of individual critics, explore the social
conditions that allowed or impeded their successes, and suggest
reasons for their all but disappearance in the twentieth century.
In bringing to light for twenty-first-century readers the
"vanished" writings of heretofore unrecognized or underrecognized
women art critics, the authors hope to contribute to the ongoing
revision of women's role in cultural history. The multifaceted
approaches to word/image studies modeled in this book, and the many
avenues for further research it identifies, will inspire scholars
in a number of disciplines to continue the work of reinscribing
women in the history of cultural life.
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