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Emblems of Eloquence - Opera and Women's Voices in Seventeenth-Century Venice (Hardcover, New)
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Emblems of Eloquence - Opera and Women's Voices in Seventeenth-Century Venice (Hardcover, New)
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Opera developed during a time when the position of women--their
rights and freedoms, their virtues and vices, and even the most
basic substance of their sexuality--was constantly debated. Many of
these controversies manifested themselves in the representation of
the historical and mythological women whose voices were heard on
the Venetian operatic stage. Drawing upon a complex web of early
modern sources and ancient texts, this engaging study is the first
comprehensive treatment of women, gender, and sexuality in
seventeenth-century opera. Wendy Heller explores the operatic
manifestations of female chastity, power, transvestism, androgyny,
and desire, showing how the emerging genre was shaped by and
infused with the Republic's taste for the erotic and its ambivalent
attitudes toward women and sexuality. Heller begins by examining
contemporary Venetian writings about gender and sexuality that
influenced the development of female vocality in opera. The
Venetian reception and transformation of ancient texts--by Ovid,
Virgil, Tacitus, and Diodorus Siculus--form the background for her
penetrating analyses of the musical and dramatic representation of
five extraordinary women as presented in operas by Claudio
Monteverdi, Francesco Cavalli, and their successors in Venice:
Dido, queen of Carthage (Cavalli); Octavia, wife of Nero
(Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of
Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius
(Carlo Pallavicino).
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