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The Crypt Of Canterbury Cathedral - Its Architecture, Its History, And Its Frescoes (1880) (Paperback)
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The Crypt Of Canterbury Cathedral - Its Architecture, Its History, And Its Frescoes (1880) (Paperback)
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for free. This is an OCR edition with typos. Excerpt from book: two
of which on the south, forming the Black Prince's chantry, are
enclosed in the portion devoted to the use of the French
congregation. Beyond the transepts, the two eastern hays of the
central alley of the crypt are enclosed on three sides by graceful
screenwork of stone, to form the chapel of " Our Lady Undercroft.'"
Professor Willis observes that here, as at the east ends of the
crypts at Winchester and Worcester, radiating vaulting arches are
employed. Five arches spring from each of the two eastern columns.
Beyond the massive eastern piers, runs the Apsidal Ambulatory of
Ernulf's crypt. Flanking the Ambulatory are the crypts beneath the
chapels of St. Andrew on the north, and St. Anselm on the south,
both of them containing apsidal chapels of great beauty. Eastward
of Ernulf s apsidal Ambulatory, stands the later and loftier crypt
of William the Englishman. WEST END OF ERNULF'S CRYPT. Upon
entering the crypt, through a well moulded Norman doorway, we
notice the northward recessing of the wall; caused by Ernulf's
building being wider than Lanfranc's. On the south, the first and
almost the only details our eyes can discern, in the obscurity, are
texts of Scripture, in the French language, painted upon the
shoulders of the arches, east and west of the great piers of the
north aisle, into which we enter. These remind us that seven bays
of Ernulf's crypt, forming the entire space west of Archbishop
Morton's tomb, were granted for the use of the French Protestants,
during the reign of Queen Elizabeth. Perhaps light from the nearest
of the north Archaeological Journal, xx., 90, note 3. K. ? IJJ o t
I X O windows (three of which were inserted early in the fifteenth
century, each having three cinque-foiled lights, and in its sill a
stone bench), ma...
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