Amid extraordinary controversy at the Academy Awards ceremony in
1999, Elia Kazan was belatedly presented a Lifetime Achievement
Award for his distinguished career as a director of American films.
Despite the protests regarding his "friendly" testimony at the HUAC
hearings in 1952, there was never any question that Kazan's
cinematic accomplishments merited the long-overdue award. Few would
dispute his being one of the great creative artists of the
twentieth century.
Born an Anatolian Greek in Istanbul in 1909, Kazan emigrated
with his parents from Turkey to the United States when he was four.
As a young New York director, Kazan revolutionized American theater
with his productions of "A Streetcar Named Desire" and "Death of a
Salesman." He was the director also of some of Hollywood's most
acclaimed films, including "A Tree Grows in Brooklyn," "Gentleman's
Agreement," "A Streetcar Named Desire," "Viva Zapata ," "East of
Eden," and "On the Waterfront." Nevertheless, all his
accomplishments since 1952 were greatly affected by his decision
during the Cold War to testify at the HUAC hearings and to give the
names of Communists he knew in the film industry.
In this collection as he discusses his social themes, his
relationship with actors, his collaborations with writers, and his
film style, Kazan is passionate, blunt, and often colorfully
opinionated. The interviews cover nearly forty years and reveal a
man who is remarkably thoughtful, candid, and willing to discuss
any aspect of his long career. He speaks of his close relationships
with Tennessee Williams, Arthur Miller, Marlon Brando, and James
Dean; of his involvement with the Group Theatre, the Actors Studio,
Lincoln Center, and "method" acting; of his many artistic successes
and failures; and of his difficult decision to testify at the HUAC
hearings.
William Baer, an associate professor of English at the
University of Evansville, is the author of "The Unfortunates" and
the editor of "Conversations with Derek Walcott" (University Press
of Mississippi).
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