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The Musical Language of Italian Opera, 1813-1859 (Hardcover)
Loot Price: R3,498
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The Musical Language of Italian Opera, 1813-1859 (Hardcover)
Series: OXFORD STUDIES IN MUSIC THEORY
Expected to ship within 12 - 17 working days
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Though studying opera often requires attention to aesthetics,
libretti, staging, singers, compositional history, and performance
history, the music itself is central. This book examines operatic
music by five Italian composers-Rossini, Bellini, Mercadante,
Donizetti, and Verdi-and one non-Italian, Meyerbeer, during the
period from Rossini's first international successes to Italian
unification. Detailed analyses of form, rhythm, melody, and harmony
reveal concepts of musical structure different from those usually
discussed by music theorists, calling into question the notion of a
common practice. Taking an eclectic analytical approach, author
William Rothstein uses ideas originating in several centuries, from
the sixteenth to the twenty-first, to argue that operatic music can
be heard not only as passionate vocality but also in terms of
musical forms, pitch structures, and rhythmic patterns-that is, as
carefully crafted music worth theoretical attention. Although no
single theory accounts for everything, Rothstein's analysis shows
how certain recurring principles define a distinctively Italian
practice, one that left its mark on the German repertoire more
familiar to music theorists.
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