After spending three years in The National Theatre of the Deaf
performing plays by hearing authors featuring hearing characters,
Willy Conley realized that he wanted to write plays with deaf,
hard-of- hearing, and hearing characters created from the Deaf
perspective. "Vignettes of the Deaf Character and Other Plays
"presents the result of his desire in twelve masterful plays.
"I write for the eye, always searching for live, mobile,
provocative images that would fill and illuminate the entire stage
space with the complexities, the pathos, and the humor involved
when deaf and hearing cultures merge or collide," writes Conley in
his introduction. His plays depict a wide range of Deaf characters,
including two brothers locked in a tragic rivalry familiar to
families of all backgrounds; the broadly comedic Deaf Guide and
hearing Techie interspersing laughs with cultural lessons in their
Museum of Signs for People with Communication Disorders; Everyone
searching for her Good Deeds as she faces imminent Death in an
updating of the classic morality play, plus many others. These
works explore a broad palette of circumstances with and without
hearing characters, allowing Deaf characters to interact minus the
direct influence that the dominant culture might exert." Vignettes
of the Deaf Character and Other Plays" presents the drama and
passion of a master playwright who, through his perceptions,
reveals facets of the Deaf character in all of us.
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