As a genetic study, this book uncovers the creative DNA of James
Joyce’s oeuvre by looking at the cultural forces that shaped him
and that he in turn shaped in the creation of his books, developing
a two-way relationship with history, memory and national identity.
Following his development as an author, it revisits and redirects
Joyce’s attitudes towards the Irish Revival. From Chamber Music,
through Ulysses to Finnegans Wake Joyce sought to define a cultural
identity that went, in many respects, against the mainstream, but
that nonetheless belonged to the wider Revivalist project with
which it shared certain characteristics and aspirations. Joyce’s
historical and genealogical imagination is read through a careful
investigation of the cultural materials that went into his work.
Based on evidence from his personal library and the extensive
archive of reading notes, ideas, sketches and drafts, this book
investigates how Joyce used, absorbed and repurposed these
materials creatively in his writing; it does so by bringing for the
first time the methods of genetic criticism into the domain of
cultural memory and the sociology of the text. Thus this books
defines “cultural genetics” as an exploration of the textual
material that are Joyce’s sources interacts with the culture that
produced and received them.
General
Imprint: |
Bloomsbury Academic
|
Country of origin: |
United Kingdom |
Series: |
Historicizing Modernism |
Release date: |
October 2023 |
Authors: |
Wim Van Mierlo
|
Series editors: |
Erik Tonning
• Matthew Feldman
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
248 |
ISBN-13: |
978-1-350-16988-3 |
Categories: |
Books
|
LSN: |
1-350-16988-9 |
Barcode: |
9781350169883 |
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