In the Guangdong province in southeastern China lies Dafen, a
village that houses thousands of workers who paint Van Goghs, Da
Vincis, Warhols, and other Western masterpieces, producing an
astonishing five million paintings a year. To write about life and
work in Dafen, Winnie Wong infiltrated this world, investigating
the claims of conceptual artists who made projects there; working
as a dealer; apprenticing as a painter; surveying merchants in
Europe, Asia, and America; establishing relationships with local
leaders; and organizing a conceptual art show for the Shanghai
World Expo. The result is Van Gogh on Demand, a fascinating book
about a little-known aspect of the global art world - one that
sheds surprising light on our understandings of art, artists, and
individual genius. Confronting difficult questions about the
definition of art, the ownership of an image, and the meaning of
imitation and appropriation, Wong shows how a plethora of artistic
practices joins Chinese migrant workers, propaganda makers, and
international artists together in a global supply chain of art and
creativity. She examines how Berlin-based conceptual artist
Christian Jankowski, who collaborated with Dafen's painters to
reimagine the Dafen Art Museum, unwittingly appropriated a
photojournalist's intellectual property. She explores how Zhang
Huan, a radical performance artist from Beijing's East Village,
prompted propaganda makers to heroize the female artists of Dafen
village. Through these cases, Wong shows how Dafen's workers force
us to reexamine our expectations about the cultural function of
creativity and imitation, and the role of Chinese workers in
redefining global art. Providing a valuable account of art
practices in a period of profound global cultural shifts and an
ascendant China, Van Gogh on Demand is a rich and detailed look at
the implications of a world that can offer countless copies of
everything that has ever been called "art."
General
Imprint: |
University of Chicago Press
|
Country of origin: |
United States |
Release date: |
April 2014 |
First published: |
April 2014 |
Authors: |
Winnie Wong
|
Dimensions: |
255 x 178 x 2mm (L x W x T) |
Format: |
Paperback
|
Pages: |
320 |
ISBN-13: |
978-0-226-02489-9 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
Theory of art
|
LSN: |
0-226-02489-X |
Barcode: |
9780226024899 |
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