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Cognitive Film and Media Ethics (Paperback)
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Cognitive Film and Media Ethics (Paperback)
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Cognitive Film and Media Ethics provides a grounding in the use of
cognitive science to address key questions in film, television and
screen media ethics. This book extends past works in cognitive
media studies to answer normative and ethically prescriptive
questions: what could make media morally good or bad, and what,
then, are the respective responsibilities of media producers and
consumers? Moss-Wellington makes a primary claim that normative
propositions are a kind of rigour, in that they force media
theorists to draw more active ought conclusions from descriptive is
arguments. Cognitive Film and Media Ethics presents the rigours of
normative reasoning, cognitive science and consequentialist ethics
as complementary, arguing that each seeks progressive elaboration
on their own models of causality, and causal projections are
crucial for any reflection on our moral responsibilities in the
world. A hermeneutics of "ethical cognitivism" is applied in the
latter half of the book, with essays each addressing a different
case study in film, television, news and social media: cinema that
sets out to inspire moral dissonance in the viewer, satirical and
humorous depictions of family drama in film and television, the
politics of the romantic comedy, formal aspects of screen media
bullying in an era dubbed the "television renaissance," and
contemporary problems in the conflation of news and social media.
Cognitive Film and Media Ethics synthesises current research in
social psychology, anthropology, memory studies, emotion and
cognition, personality and media selection, and evolutionary
biology, integrating wide-ranging concepts from the various
disciplines that make up cognitive theory to provide new vantages
on the applied ethics of film and screen media.
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