The book investigates the aesthetic theology embedded in the
Franciscan artistic tradition. The novelty of the approach is in
applying concepts gleaned from Franciscan textual sources to create
a deeper understanding of how art in all its sensual forms was
foundational to the Franciscan milieu. Chapters range from studies
of statements about aesthetics and the arts in theological textual
sources to examples of visual, auditory, and tactile arts
communicating theological ideas found in texts. The essays cover
not only European art and textual sources, but also Franciscan
influences in the Americas found in both texts and artifacts.
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