This is the first collection of translations of Chinese film
theory to be published in English. By using translations rather
than summaries, as other works have done, "Chinese Film Theory"
provides readers with an introduction to the issues current in
China's film circles. It includes eighteen chapters written by a
broad range of writers--from well established scholars to young
people at the beginning of their involvement in film in China. This
collection indicates a trend away from the study of external
qualities of film and toward a study of the film itself.
The volume has been carefully organized so that major issues are
interrelated; thus, the book comprises an ongoing debate of film
theory issues, progressing from earlier to most recent issues,
following the debate concerning the relationship of film to
literary arts, and looking at the debate over the relationship of
film to culture. The book concludes that for the time being, debate
has virtually ended because of the political situation in China.
This book is an important new source to anyone interested in film
studies, film theory, or Chinese studies.
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