Taking the concept of 'seamlessness' as her starting point, Yeseung
Lee offers an innovative practice-based investigation into the
meaning of the handmade in the age of technological revolution and
globalized production and consumption. Combining firsthand
experience of making seamless garments with references from
psychoanalysis, anthropology and cultural studies, Lee reveals the
ways that a garment can reach to our deeply superficial sense of
being, and how her seamless garments can represent the ambiguity of
a modern subject in a perpetual process of becoming. Richly
illustrated and firmly rooted in the actual work of creation, this
daringly innovative book breaks new ground for fashion research.
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