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Zhang, Huan (Paperback)
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Zhang, Huan (Paperback)
Series: Phaidon Contemporary Artists Series
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Zhang Huan has emerged as one of the most important artists of the
past decade, a fearless explorer of the limits of the human body
and a key figure in the flourishing Chinese art scene. His earliest
performances, including 12 Square Meters, 65 Kilograms, and To
Raise the Water-Level in a Fishpond, subjected his body to grueling
tests of endurance while addressing the relationship between
physical endurance and spiritual tranquility. Zhang 's move to New
York in 1998 contributed to establish himself as a widely
recognized figure in the international contemporary art world,
staging performances in several cities around the globe, including
Sydney, Rome, Shanghai and Hamburg where he reflected on his
experiences in the cities he visited and his ethnic identity in a
foreign land. In 2006 Zhang established a studio in Shanghai, where
he began to seek a greater connection to Chinese heritage and
history. This marked a new direction in his work, as he turned from
performance to sculpture, painting, and installation. Through
creating large-scale sculpture in diverse media, such as ash from
local Buddhist temples, and with found objects, such as doors from
the Chinese countryside homes, Zhang Huan continues to explore new
ways to render his interest in the body and its language. A
significant aspect of Zhang's new work revolves around his interest
in Buddhism. Although Buddhist themes figured indirectly into his
early work, they took on a more prominent role after a visit to
Tibet in 2005. There, Zhang began to collect fragments of Buddhist
sculptures, which he then used as models for massive copper
figures. Upon his return to Shanghai, Zhang Huan began to collect
ash from local Buddhist temples for use in sculptures and
paintings. The use of burnt incense, the product of religious
offerings, strengthens the link between his art and Buddhist
practices.
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