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Unexpected Alliances - Independent Filmmakers, the State, and the Film Industry in Postauthoritarian South Korea (Hardcover)
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Unexpected Alliances - Independent Filmmakers, the State, and the Film Industry in Postauthoritarian South Korea (Hardcover)
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Since 1999, South Korean films have dominated roughly 40 to 60
percent of the Korean domestic box-office, matching or even
surpassing Hollywood films in popularity. Why is this, and how did
it come about? In "Unexpected Alliances," Young-a Park seeks to
answer these questions by exploring the cultural and institutional
roots of the Korean film industry's phenomenal success in the
context of Korea's political transition in the late 1990s. The book
investigates the unprecedented interplay between independent
filmmakers, the state, and the mainstream film industry under the
post-authoritarian administrations of Kim Dae Jung (1998-2003) and
Roh Moo Hyun (2003-2008), and shows how these alliances were
critical in the making of today's Korean film industry.
During South Korea's post-authoritarian/reform era, independent
filmmakers with activist backgrounds were able to mobilize and
transform themselves into important players in state cultural
institutions and in negotiations with the purveyors of capital.
Instead of simply labeling the alliances "selling out" or
"co-optation," Young-a-Park explores the new spaces, institutions,
and conversations which emerged and shows how independent
filmmakers played a key role in national protests against trade
liberalization, actively contributing to the creation of the very
idea of a "Korean national cinema" worthy of protection.
Independent filmmakers changed not only the film institutions and
policies but the ways in which people produce, consume, and think
about film in South Korea--blurring the rigid boundaries that
separated the state and political activism, corporate conglomerates
and independent artists, and local and global cultural realms.
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