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Becoming Guanyin - Artistic Devotion of Buddhist Women in Late Imperial China (Paperback)
Loot Price: R850
Discovery Miles 8 500
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Becoming Guanyin - Artistic Devotion of Buddhist Women in Late Imperial China (Paperback)
Series: Premodern East Asia: New Horizons
Expected to ship within 12 - 17 working days
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The goddess Guanyin began in India as the bodhisattva
Avalokitesvara, originally a male deity. He gradually became
indigenized as a female deity in China over the span of nearly a
millennium. By the Ming (1358-1644) and Qing (1644-1911) periods,
Guanyin had become the most popular female deity in China. In
Becoming Guanyin, Yuhang Li examines how lay Buddhist women in late
imperial China forged a connection with the subject of their
devotion, arguing that women used their own bodies to echo that of
Guanyin. Li focuses on the power of material things to enable women
to access religious experience and transcendence. In particular,
she examines how secular Buddhist women expressed mimetic devotion
and pursued religious salvation through creative depictions of
Guanyin in different media such as painting and embroidery and
through bodily portrayals of the deity using jewelry and dance.
These material displays expressed a worldview that differed from
yet fit within the Confucian patriarchal system. Attending to the
fabrication and use of "women's things" by secular women, Li offers
new insight into the relationships between worshipped and
worshipper in Buddhist practice. Combining empirical research with
theoretical insights from both art history and Buddhist studies,
Becoming Guanyin is a field-changing analysis that reveals the
interplay between material culture, religion, and their gendered
transformations.
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