Bridging East and West explores the literary evolution of Ol'ha
Kobylians'ka, one of Ukraine's foremost modernist writers.
Investigating themes of feminism, populism, Nietzscheanism,
nationalism, and fascism in her works, this study presents an
alternative intellectual genealogy in turn-of-the-century European
arts and letters whose implications reach far beyond the field of
Ukrainian studies. For feminist scholars, Bridging East and West
makes accessible a thorough account of a central, yet overlooked,
woman writer who served as a model and a contributor within a major
cultural tradition. For those working in Victorian studies or
comparative fascism and for those interested in Nietzsche and his
influence on European intellectuals, Kobylians'ka emerges in this
study as an unlikely, but no less active, trailblazer in the social
and aesthetic theories that would define European debates about
culture, science, and politics in the first half of the twentieth
century. For those interested in questions of transnationalism and
intersectionality, this study's discussion of Kobylians'ka's hybrid
cultural identity and philosophical program exemplifies cultural
interchange and irreducible complexities of cultural identity.
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