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Contemporary Plays by African Women - Niqabi Ninja; Not That Woman; I Want to Fly; Silent Voices; Unsettled; Mbuzeni; Bonganyi (Hardcover)
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Contemporary Plays by African Women - Niqabi Ninja; Not That Woman; I Want to Fly; Silent Voices; Unsettled; Mbuzeni; Bonganyi (Hardcover)
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This volume uniquely draws together seven contemporary plays by a
selection of the finest African women writers and practitioners
from across the continent, offering a rich and diverse portrait of
identity, politics, culture, gender issues and society in
contemporary Africa. Niqabi Ninja by Sara Shaarawi (Egypt) is set
in Cairo during the chaotic time of the Egyptian uprising. Not That
Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence
against women in Nigeria and its attendant conspiracy of silence.
The play advocates zero-tolerance for violence against women and
urges women to bury shame and speak out rather than suffer in
silence. I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the
story of an African girl who wants to be a pilot. It looks at how
patriarchal society shapes the thinking of men regarding lobola
(bride price), how women endure abusive men and the role society at
large plays in these issues. Silent Voices by Adong Judith (Uganda)
is a one-act play based on interviews with people involved in the
LRA and the effects of the civil war in Uganda. It critiques this,
and by implication, other truth commissions. Unsettled by JC Niala
(Kenya) deals with gender violence, land issue, and relations of
both black and white Kenyans living in, and returning to, the
country. Mbuzeni by Koleka Putuma (South Africa) is a story of four
female orphans, aged eight to twelve, their sisterhood and their
fixation with death and burials. It explores the unseen force that
governs and dictates the laws that the villagers live by. Bonganyi
by Sophia Mempuh Kwachuh (Cameroon) depicts the effects of
colonialism as told through the story of a slave girl: a singer and
dancer, who wants to win a competition to free her family. Each
play also includes a biography of the playwright, the writer's own
artistic statement, a production history of the play and a critical
contextualisation of the theatrical landscape from which each woman
is writing.
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