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NSK from Kapital to Capital - Neue Slowenische Kunst-an Event of the Final Decade of Yugoslavia (Paperback) Loot Price: R1,101
Discovery Miles 11 010
You Save: R289 (21%)
NSK from <i>Kapital </i>to Capital - Neue Slowenische Kunst-an Event of the Final Decade of Yugoslavia (Paperback): Zdenka...

NSK from Kapital to Capital - Neue Slowenische Kunst-an Event of the Final Decade of Yugoslavia (Paperback)

Zdenka Badovinac, Eda Cufer, Anthony Gardner

Series: The MIT Press

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List price R1,390 Loot Price R1,101 Discovery Miles 11 010 | Repayment Terms: R103 pm x 12* You Save R289 (21%)

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The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century. This book is the generously illustrated, lavishly documented, critically narrated story of one of the most significant art collectives of the late twentieth century. In 1984, three groups of artists in post-Tito Yugoslavia-the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater-came together to form the Neue Slowenische Kunst (NSK) art collective. Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that "art and totalitarianism are not mutually exclusive." Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere. Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK's collective practice during the final decade of Yugoslavia-from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK's work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same. Copublished with Moderna Galerija / Museum of Modern Art, Ljubljana, Slovenia. Contributors Eda Cufer, Goran Dordevic, Slavoj Zizek, Marina Grzinic, Rastko Mocnik, Marina Grzinic, Lev Kreft, Tomaz Mastnak, Mladen Dolar, Chrissie Iles, Boris Groys, Inke Arns, Alexei Monroe, Catherine Wood, Daniel Ricardo Quiles, Anthony Gardner, Barbara Borcic, Alexei Yurchak, Dejan Krsic, and others Exhibition Moderna galerija, Ljubljana: 12 May-17 August 2015 Van Abbemuseum, Eindhoven: March-August, 2016 Garage Museum of Contemporary Art, Moscow: Fall 2016

General

Imprint: MIT Press
Country of origin: United States
Series: The MIT Press
Release date: October 2015
Editors: Zdenka Badovinac • Eda Cufer • Anthony Gardner (University Lecturer in Contemporary Art History and Theory)
Dimensions: 267 x 191 x 34mm (L x W x T)
Format: Paperback - Trade
Pages: 600
ISBN-13: 978-0-262-02995-7
Categories: Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > General
LSN: 0-262-02995-2
Barcode: 9780262029957

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