for solo piano and full orchestra This work opens with a form of
Shaman-dance from North-east China, during which the piano mimics
some of the animal postures seen in the art of kung fu. Pianobells,
the more lyrical and lightly orchestrated second movement, takes
two contrasting bells (Mighty Bells and Frost Bells) as its
narrative throughout. The third and final movement, which is
intended to represent the Peking Opera Monkey's action, is a wild
and intense finale with rapid rhythmic patterns from the
percussion. This concerto is exciting, lively, and highlights the
piano as a virtuoso percussion instrument.
General
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