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With a rising population and the increasing range of textiles for
medical products, the need to understand and improve medical
textiles is gaining in importance. The Handbook of medical textiles
provides an overview of the different types of medical textiles
currently available as well as specific information on more
specialised topics and applications.
In part one, the types and properties of medical textiles are
discussed, with chapters covering topics including reusable
textiles, textiles for implants and textiles with cosmetic effects.
Part two focuses on the interaction of textiles with the skin,
examining key issues such as contact sensations, allergies and
mechanical irritation. Chapters in part three provide information
on the latest developments in textiles for hygiene and infection
control, while part four provides a range of applications and case
studies, including improvements in medical occupational clothing,
medical filters and superabsorbent fibres.
With its expert editor and contributions from some of the world s
leading authorities, the Handbook of medical textiles is a standard
reference for designers and manufacturers of medical textile
products, as well as for biomaterials scientists and medical
professionals.
Explores the different types of medical textiles currently
available as well as specific information on more specialised areas
and applicationsChapters cover topics such as reusable textiles,
textiles for implants and interaction of textiles with the skinIs a
standard reference for designers and manufacturers of medical
textile products, as well as for biomaterials scientists and
medical professionals"
The advance of Union Pacific Railroad tracklayers across Nebraska
was part of America's great adventure of the 19th century. It
marked the beginning of the era of the "iron horse" in Nebraska-a
time when the whistle of an approaching train became synonymous
with prosperity and contact with the outside world. Historic
Railroads of Nebraska takes a photographic journey down the tracks
of the five major railroads and various short lines that helped
Nebraska progress into a national center of agriculture and
business. The trip begins with the formative years of Nebraska
towns that were established along railroad lines in the 19th
century. It then travels through the 20th century and documents the
major changes and challenges that the railroad industry faced.
Through over 200 photographs, this book chronicles the era of
streamlined passenger trains, rustic steam locomotives, and a
bustling Omaha Union Station. The journey makes stops at railroad
landmarks, significant cities, the state's only railroad tunnel,
and the legendary North Platte Canteen.
Is it ever morally wrong to enjoy fantasizing about immoral things?
Many video games allow players to commit numerous violent and
immoral acts. But, should players worry about the morality of their
virtual actions? A common argument is that games offer merely the
virtual representation of violence. No one is actually harmed by
committing a violent act in a game. So, it cannot be morally wrong
to perform such acts. While this is an intuitive argument, it does
not resolve the issue. Focusing on why individual players are
motivated to entertain immoral and violent fantasies, Video Games,
Violence, and the Ethics of Fantasy advances debates about the
ethical criticism of art, not only by shining light on the
interesting and under-examined case of virtual fantasies, but also
by its novel application of a virtue ethical account. Video games
are works of fiction that enable players to entertain a fantasy.
So, a full understanding of the ethical criticism of video games
must focus attention on why individual players are motivated to
entertain immoral and violent fantasies. Video Games, Violence, and
the Ethics of Fantasy engages with debates and critical discussions
of games in both the popular media and recent work in philosophy,
psychology, media studies, and game studies.
This book is a tribute to the work of Professor Terry Gill, offered
to him by friends and colleagues who are also academics and/or
practitioners in the field of International Law of Military
Operations (ILMO). ILMO is a distinct sub-discipline within public
international law and domestic public law, covering all domains of
military operations: land, sea, air and (cyber)space. As such, ILMO
includes elements of other branches of public international law,
such as international humanitarian law, human rights law, the law
on the use of force, the law of the sea, the law of State
responsibility, arms control law and the law of international
organisations. Importantly, as a hybrid field of law, ILMO covers
the legal basis for military deployment both nationally and
internationally, as well as the subsequent international legal
regimes applicable to the forces (once deployed) and the domestic
administrative and constitutional issues related to the relevant
forces. Control is a central notion of ILMO and is the leading
theme of this book. The contributions in this book reflect the
variety of legal frameworks applicable to military operations and
offer an insightful view into the various legal and factual roles
of control. The legal notion of control is considered, inter alia,
in relation to restraints in the decision to deploy military forces
and the legal basis for doing so. The impact of control is also
discussed in relation to State and command responsibility and in
different situations, including during peace operations, occupation
and other situations of armed conflict. Additionally, control is
considered over the armed forces themselves, over detainees
migrants at sea and over the type or scale of force used in
military operations, through targeting rules or rules of
engagement. Furthermore, the book contains several discussions of
control in the case law of international courts, within arms
control law, weapons law and in the context of autonomous weapons
systems. The editors of the book are all practitioners,
academically affiliated to the Faculty of Military Sciences (War
Studies) of the Netherlands Defence Academy and/or the Law Faculty
of the University of Amsterdam.
An Immersive Story of Music, Struggle, and Starting Over from an
Award-Winning Author Michael Sullivan is a talented lyricist and a
decent guitarist, but since he was kicked out of his band (and his
apartment), he's not sure he'll ever get a record deal. Living with
his loser uncle in a beat-up trailer and working a dead-end job,
Michael has little reason to hope for a better future. Until the
invitation for a swanky New Year's Eve party shows up in the
mailbox. It's for his uncle, with whom he shares his name, but his
uncle is going out of town . . . On the effervescent night of
December 31, 1989--as the Berlin Wall is coming down, the Soviet
Union is inching toward democracy, and anything seems
possible--Michael will cross paths with the accomplished and
enigmatic young heir to a fading musical dynasty, forever altering
both of their futures. Award-winning novelist Erin Bartels enchants
with this story of two lonely souls who have exactly what the other
one needs--if they could simply turn their focus from what is
ending to what is just beginning.
This memoir is about a husband, father, doctor and friend. Jack
Bartels became a success in his life primarily because of his own
inner drive, but luck played a role at some critical crossroads. In
his later years many could compare Jack Bartels to the television
character "Archie Bunker," and most of those comparisons would have
been fair. To take him at face value, however, would be a mistake.
Jack was in many ways a study in contradictions. He was vocally
opinionated but still open-minded, confident yet at times very shy,
and brash but also deeply compassionate when people needed him
most. He never sought praise and accolades as so many others do,
and because of this his life is one worth remembering. Anyone from
a large family, or with a parent or relative from the "Geatest
Generation" can appreciate the life of Jack Bartels. A proud man
eventually humbled by age and illness, Jack's course unwittingly
highlighted the complex familial struggles of such end-of-life
occurences. The book is a journey about a man and his love of wife,
family and career, as well as the humorous and at times
dysfunctional state of one American family as they share in the
life of a truly extraordinary character.
This issue of Anesthesiology Clinics, edited by Dr. Karsten Bartels
and Dr. Stefan Dieleman in collaboration with Consulting Editor Dr.
Lee Fleisher, focuses on Cardiothoracic Anesthesia and Critical
Care. Topics in this issue include: Anesthetic Management for
Endovascular Repair of the Thoracic Aorta; Ethical Considerations
for Mechanical Support; Modulating Perioperative Ventricular
Excitability; Echocardiography Education for Anesthesia Trainees;
Mitochondrial Dysfunction After Cardiac Surgery; New Approaches to
Perioperative Right Ventricular Assessment; New Techniques for
Optimization of Donor Lungs/Hearts; Recent Developments in
Catheter-Based Cardiac Procedures; Heart Failure in Adults with
Congential Heart Disease; Optimizing Perioperative Blood and
Coagulation Management During Cardiac Surgery; Advances in the
Prevention of AKI Following Cardiac Surgery; Clinical Trials That
Should be Done in Cardiac Anesthesia; and Cardiac Surgery and the
Blood-Brain Barrier.
This volume presents a variety of perspectives from within and
outside moral psychology. Recently there has been an explosion of
research in moral psychology, but it is one of the subfields most
in need of bridge-building, both within and across areas. Interests
in moral phenomena have spawned several separate lines of research
that appear to address similar concerns from a variety of
perspectives. The contributions to this volume examine key
theoretical and empirical issues these perspectives share that
connect these issues with the broader base of theory and research
in social and cognitive psychology.
The first two chapters discuss the role of mental representation
in moral judgment and reasoning. Sloman, Fernbach, and Ewing argue
that causal models are the canonical representational medium
underlying moral reasoning, and Mikhail offers an account that
makes use of linguistic structures and implicates legal concepts.
Bilz and Nadler follow with a discussion of the ways in which laws,
which are typically construed in terms of affecting behavior, exert
an influence on moral attitudes, cognition, and emotions.
Baron and Ritov follow with a discussion of how people's moral
cognition is often driven by law-like rules that forbid actions and
suggest that value-driven judgment is relatively less concerned by
the consequences of those actions than some normative standards
would prescribe. Iliev et al. argue that moral cognition makes use
of both rules and consequences, and review a number of laboratory
studies that suggest that values influence what captures our
attention, and that attention is a powerful determinant of judgment
and preference. Ginges follows with a discussion of how these
value-related processes influence cognition and behavior outside
the laboratory, in high-stakes, real-world conflicts.
Two subsequent chapters discuss further building blocks of moral
cognition. Lapsley and Narvaez discuss the development of moral
characters in children, and Reyna and Casillas offer a memory-based
account of moral reasoning, backed up by developmental evidence.
Their theoretical framework is also very relevant to the phenomena
discussed in the Sloman et al., Baron and Ritov, and Iliev et al.
chapters.
The final three chapters are centrally focused on the interplay
of hot andcold cognition. They examine the relationship between
recent empirical findings in moral psychology and accounts that
rely on concepts and distinctions borrowed from normative ethics
and decision theory. Connolly and Hardman focus on bridge-building
between contemporary discussions in the judgment and decision
making and moral judgment literatures, offering several useful
methodological and theoretical critiques. Ditto, Pizarro, and
Tannenbaum argue that some forms of moral judgment that appear
objective and absolute on the surface are, at bottom, more about
motivated reasoning in service of some desired conclusion. Finally,
Bauman and Skitka argue that moral relevance is in the eye of the
perceiver and emphasize an empirical approach to identifying
whether people perceive a given judgment as moral or non-moral.
They describe a number of behavioral implications of people's
reported perception that a judgment or choice is a moral one, and
in doing so, they suggest that the way in which researchers carve
out the moral domain "a priori" might be dubious."
Clashing encounters around a mysterious object, A high school
dropout, a tourist, Love, magic, death, lust. Another mere summer
romance? Far from it. So far in fact that Ann, Melchior and the
locals of an otherwise quiet South Carolina community will all be
compelled to deal with a most intricate network of massive
revelations escaped from the hands of Time. 'Melchior, this is
nonsensical ' Melchior nodded lightly and went on: 'Well, yes, but
no. This is weird, almost alien, you know, and there you're right,
it is nonsensical. You sure you want me to tell you what I think?'
'Most definitely.' 'Well, it's worse than that. It's not what I
think but what I know. For a fact. Four facts so far. Are you sure
you want me to tell you?' 'I am ready to face whatever it is you
are about to reveal to me.' 'Okay, here goes. What you got from it
is not what I got from it. And don't ask me if I'm sure. I'm not
sure, I know. It adapts. I have proof.' Let the multiple worlds of
Slanting Views sweep you off your daily routines. Enter Slanting
Views and Bon Voyage to You
"Emotions leap off the page in this deeply personal book . . . .
Expertly written."--Library Journal *** The best fiction simply
tells the truth. But the truth is never simple. When novelist
Kendra Brennan moves into her grandfather's old cabin on Hidden
Lake, she has a problem and a plan. The problem? An inflammatory
letter from A Very Disappointed Reader. The plan? To confront
Tyler, her childhood best friend's brother--and the man who
inspired the antagonist in her first book. If she can prove that
she told the truth about what happened during those long-ago
summers, perhaps she can put the letter's claims to rest and meet
the swiftly approaching deadline for her next book. But what she
discovers as she delves into the murky past is not what she
expected. While facing Tyler isn't easy, facing the consequences of
her failed friendship with his sister, Cami, may be the hardest
thing she's ever had to do. Plumb the depths of the human heart
with this emotional exploration of how a friendship dies, how we
can face the unforgivable, and how even those who have been hurt
can learn to love with abandon. Praise for the novels of Erin
Bartels "Bartels proves herself a master wordsmith and
storyteller."--Library Journal starred review of All That We
Carried "A story of love found in the written word and love found
because of the written word."--Booklist on The Words between Us "A
deeply moving story of heartbreak, long-held secrets, and the bonds
of family."--Publishers Weekly starred review of We Hope for Better
Things "Erin Bartels has become one of those authors that I read
every book she writes without even reading the synopsis or looking
at the cover. The stories are just that good and the tension and
internal conflict her characters have intensifies with each story.
The Girl Who Can Breathe Under Water is no
exception."--Write-Read-Life on The Girl Who Can Breathe Under
Water
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