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Showing 1 - 25 of 1692 matches in All Departments
'A groundbreaking book that redefines what it means to be in a relationship.' – John Gray, PhD., bestselling author of Men Are from Mars, Women Are from Venus Is there a science to love? In this groundbreaking book, psychiatrist and neuroscientist Amir Levine and psychologist Rachel S. F. Heller reveal how an understanding of attachment theory – the most advanced relationship science in existence today – can help us find and sustain love. Pioneered by psychologist John Bowlby in the 1950s, the field of attachment explains that each of us behaves in relationships in one of three distinct ways: Anxious people are often preoccupied with their relationships and tend to worry about their partner’s ability to love them back. Avoidant people equate intimacy with a loss of independence and constantly try to minimize closeness. Secure people feel comfortable with intimacy and are usually warm and loving. With fascinating psychological insight, quizzes and case studies, Dr Amir Levine and Rachel Heller help you understand the three attachment styles, identify your own and recognize the styles of others so that you can find compatible partners or improve your existing relationship. An insightful look at the science behind love, Attached offers readers a road map for building stronger, more fulfilling connections.
Not many writers introduce a phrase - let alone a whole idea - into the language. In Catch-22, Joseph Heller invented a motif for the modern world. The book shaped everything that came after it, establishing Heller's reputation as one of the greatest American writers of the twentieth century. But where did the author who was able to create that novel come from? And what happened to those remarkable characters? In Catch as Catch Can, Joseph Heller's stories are collected for the first time, and clearly chart the development of a genius. From Heller's recollections of his Coney Island childhood to the later stories of his greatest creation, Yossarian, Catch as Catch Can is the last great work of one of the twentieth century's most important literary figures
Joseph Heller's powerful, wonderfully funny, deeply moving novel is the story of David -- yes, King David -- but as you've never seen him before. You already know David as the legendary warrior king of Israel, husband of Bathsheba, and father of Solomon; now meet David as he really was: the cocky Jewish kid, the plagiarized poet, and the Jewish father. Listen as David tells his own story, a story both relentlessly ancient and surprisingly modern, about growing up and growing old, about men and women, and about man and God. It is quintessential Heller.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
With its sprawling yards and excellent schools, Cottonwood Estates is the perfect place to raise children. The Cottonwood Book Club serves as the subdivision's eyes and ears, meeting once a month for discussion, gossip, and cocktails. If their selections trend toward twisty thrillers and salacious murder mysteries, it's only because the members feel secure that such evil has no place in their own cul-de-sacs. Or does it? What happened to Lena's family fifteen years ago was a tragic accident, and she will never admit otherwise. Devoted wife and mother Annie refuses to acknowledge - even to herself - the weight of a past shame. And new resident Jen wants friends, but as always, worry about her troubled son gets in the way. When late-night acts of vandalism target the women of book club in increasingly violent and personal ways, they will be forced to decide how far to go to keep their secrets. At least they all agree on what's most important: protecting their children at any cost - even if it means someone has to die.
In this dead-on satire of online obsessions, a novelist with writer s block finds a new and very lucrative stream of income in a virtual world that appears to give him everything he lacks in the real world.When Frank Dixon, a frustrated writer who has seen his career crash and burn, decides to dabble in online poker, he discovers he has a knack for winning. In this newfound realm, populated by alluring characters each of them elusive, mysterious, and glamorous he becomes a smash success: popular, rich, and loved. Going by the name Chip Zero, he sees his fortunes and romantic liaisons thrive in cyberspace while he remains blind to the fact that his real life is sinking. His online success, however, does not come without complications, as he comes to realize that his virtual friends and lovers are, in fact, very real, and one rival player is not at all happy that Mr. Zero has taken all his money.Heller s cautionary tale is continually surprising and startlingly real, a tour de force of satirical storytelling in the vein of Jonathan Tropper and Sam Lipsyte."
Picture this: Rembrandt is creating his famous painting of Aristotle contemplating the bust of Homer. As soon as he paints an ear on Aristotle, Aristotle can hear. When he paints an eye, Aristotle can see. And what Aristotle sees and hears and remembers from the ancient past to this very moment provides the foundation for this lighthearted, free-wheeling jaunt through 2,500 years of Western Civilization. Picture This is an incisive fantasy that digs deeply into our illusions and customs. Nobody but Joseph Heller could have thought of a novel like this one. Nobody but Heller could have executed it so brilliantly.
When a stroke fells radical New York lawyer Joel Litvinoff, a secret is revealed that forces Audrey, his wife, to reexamine everything she believed about their forty-year marriage. In the meantime Joel's children are struggling with their own dilemmas and doubts. Disillusioned revolutionary Rosa has been drawn into the world of Orthodox Judaism. Karla, a devoted--and married--social worker hoping to adopt a child, is falling in love with the owner of a newspaper stand. Lenny, the ne'er-do-well, faces yet another relapse into heroin addiction. In the course of battling their own demons--and one another--the Litvinoffs must reexamine long-held articles of faith and decide what--if anything--they still believe in.
Designed specifically for the graphic designers out there, this is the perfect jumping off point for the best ways properly write for clients, other designers, and those new to design.
Technology is an integral part our world. But how does inter-human technology affect our ability to be present to one another, to God, to ourselves, and to the world around us? Modern technologies are reshaping human relationships. While they offer new possibilities for presence across time and space, they also function as either a substitute for human relationships or as a filter that mediates relationships between ourselves and others. In our technologically saturated world, it is vital that we become aware of how these technologies alter our perceptions, our actions, and our relationships. Religious and Cultural Implications of Technology-Mediated Relationships in a Post Pandemic World offers a variety of positions on how technology is influencing religious communal and cultural life. There is no doubt that our interaction with technology will shape the human community up ahead. These essays provide a basis for thoughtful choice and action.
The first survey of Leo Lionni’s protean career as a graphic designer, children’s book creator, and fine artist. Between Worlds: The Art and Design of Leo Lionni opens at the Norman Rockwell Museum in Stockbridge, MA, on 18 November 2023. Leo Lionni (1910–1999) was a key figure of postwar visual culture, who believed that a smart, pithy design language could unite people across generations and cultural boundaries. He first achieved success in the field of graphic design, serving as the influential art director of Fortune magazine from 1948 to 1960 and personally executing such innovative designs as the catalogue for the Museum of Modern Art’s seminal photo exhibition The Family of Man. Then, in the 1960s, he embarked on an equally groundbreaking career in picture books, using torn-paper collages to illustrate modern animal fables such as Frederick and Swimmy, which are still beloved today. But even as his books won multiple Caldecott Honors, Lionni — who had begun as a painter — also maintained a fine art practice centered on his Parallel Botany, a richly imagined world of fanciful plants. This volume, the catalogue of a major exhibition at the Norman Rockwell Museum, is the first to present Lionni’s extraordinary career in the round. Written by leading scholars and with an introduction by the artist’s granddaughter, it is illustrated with abundant examples of his work, including many little-seen items from the Lionni family archives. Leo Lionni: Storyteller, Artist, Designer will be an important, and eye-opening, contribution to the history of art and design.
Gleaned from thousands of images, this book offers the best of American print advertising in the age of the “Big Idea.” From the height of American consumerism, bold and colorful campaigns paint a fascinating portrait of the 1950s and ’60s, as concerns about the Cold War gave way to the carefree booze-and-cigarettes capitalism of the Mad Men era.Digitally remastered for optimum reproduction quality, the ads burst with crisp fonts and colors, as well as a sexy sense of possibility, beguiling their audience to buy everything from guns to girdles, cars to toothpaste, air travel to home appliances. At turns startling, amusing and inspiring, this panorama of midcentury marketing is at once an evocative period piece and a showcase of design innovation and advertising wit.
Henry Heller's short account of the history of capitalism combines Marx's economic and political thought with contemporary scholarship to shed light on the current capitalist crisis. It argues that capitalism is an evolving mode of production that has now outgrown its institutional and political limits. The book provides an overview of the different historical stages of capitalism, underpinned by accessible discussions of its theoretical foundations. Heller shows that capitalism has always been a double-edged sword, on one hand advancing humanity, and on the other harming traditional societies and our natural environment. He makes the case that capitalism has now become self-destructive, and that our current era of neoliberalism may trigger a transition to a democratic and ecologically aware form of socialism. |
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