The path of a doctoral student can feel challenging and isolating. This guide provides doctoral students with key ideas and support to kick-start a doctoral journey, inspire progress and complete their thesis or dissertation. Featuring observations from experienced supervisors, as well as the reflections of current and recent postgraduate researchers, this intimate and entertaining book offers vital insights into the critical moments in any doctoral experience. Bringing together the voices of doctoral supervisors and candidates past and present from around the globe, How to Keep your Doctorate on Track will be a trusted companion for any PhD, DBA or EdD student. Supervisors and those offering support and guidance to doctoral candidates will also glean valuable insight into fresh approaches and their own practice. Contributors include: A. Alecsandru, F. Archontoulis, C. Atkinson, A. Byrnes-Johnstone, J. Callahan, A. Casey, R. Cole, O.S. Crocco, M. Cseh, Z. Djebali, G. Dobson, J. Donaghey, D.C. Duke, U. Furnier, V.O. Gekara, T. Gray, T.W. Greer, A. Hallin, B. Harney, G. Henry, C. Hughes, P. Jordan, M. Knox, S.F. Lambert, A. Lee, Q.Y. Lee, A. Lobo, R. Markey, N.S. Mauthner, E. McDonald, L. McKerr, D. Nickson, K. Nimon, E. Partlow, H. Prescott, N. Reynolds, S. Riaz, A. Robertson, J. Robinson, K. Rosenbusch, G. Ryan, J.J. Saunders, M. Shirmohammadi, M.K. Tran, A. Trif, M. Valverde, P. Watson Black, V. Webster, R. Whiting, C.F. Wright

Even casual observers will be familiar with the Cherry Blossom or Sakura trees of Japan. When in full bloom the sight is spectacular. This amazing visual is preceded by several weeks of behind the scenes development as the buds grow. Sadly, from the time of full bloom until the blossoms have scattered only takes a week or less. In the longer cycle of nations and business, the authors unfortunately see a similar transitory pattern for Japanese multinational corporations (MNCs). Japanese companies seemed to be in full bloom in the mid-90s but now show serious signs of losing their standing in the landscape of global players. The authors explain how and why this is happening, but perhaps more importantly, examine what can be done to improve the situation in the future.

Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past—textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies—and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently.

How did news from the East-carried in ship logs and mariners' reports, journals, and correspondence-shape early Americans' understanding of the world as a map of dangerous and incoherent sites? Winner of the John Lyman Book Award by the North American Society for Oceanic History Freed from restrictions of British mercantilism in the years following the War of Independence, Yankee merchants embarked on numerous voyages of commerce and discovery into distant seas. Through the news from the East, carried in mariners' reports, ship logs, journals, and correspondence, Americans at home imagined the world as a map of dangerous and deranged places. This was a world that was profoundly disordered, hobbled by tyranny and oppression or steeped in chaos and anarchy, often deadly, always uncertain, unpredictable, and unstable, yet amenable to American influence. Focusing on four representative arenas-the Ottoman Empire, China, India, and the Great South Sea (collectively, the East Indies, Oceana, and the American continent's Northwest coast)-Eastward of Good Hope recasts the relationship between America and the world by examining the early years of the republic, when its national character was particularly pliable and its foundational posture in the world was forming. Drawing on recent scholarship in global ethnohistory, Dane A. Morrison recounts how reports of cannibal encounters, shipboard massacres, shipwrecks, tropical fever, and other tragedies in distant seas led Americans to imagine each region as a distinct set of threats to their republic. He also demonstrates how the concept of justification through self-doubt allowed for aggressive expansionism and for the foundations of imperialism to develop. Morrison reconsiders American ideas about the world through three questions: How did British Americans imagine the world before independence allowed them to travel "Eastward of Good Hope"? What were the signal encounters that filled the public sphere in their early years of global encounter? And finally, how did Americans' contacts with other peoples inflect their ideas about the world and their place in it? Written in a lively, engaging style, Eastward of Good Hope will appeal to scholars and the general public alike.

Although women have served in defense of our country since the American Revolutionary War, women were not given full military status until World War II. Providing full military status to women had repercussions for the built environment of the country's military installations, especially as the government mandated a gender-segregated military. It required a reconsideration of both the spatial organization and the design protocols used in constructing and/or rehabilitating military infrastructure, specifically as related to the housing, training, and workspaces of military women. This reconsideration led to ever-evolving regulations and standard operating procedures throughout the course of the Cold War concerning this matter, reflecting the military's immediate needs, as well as changing societal norms regarding gender. This project provides a service-wide historical context for how the accommodation of service women during the Cold War impacted the military's built environment. This historical context is based on archival research, oral histories, and an examination of historic photographs, plan maps, architectural drawings, and other associated primary documents.

The East End is an iconic area of London, from the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George. Located east of the Tower of London and north of the River Thames, the region has experienced a number of developmental stages in its four-hundred-year history. Originating as a series of scattered villages, the area has been home to Europe's worst slums and served as an affluent nodal point of the British Empire. Through its evolution, the East End has been the birthplace of radical political and social movements and the social center for a variety of diasporic communities. This reference work, with its alphabetically organized cross-referenced entries and its original and historical photography, serves as a comprehensive guide to the social and cultural history of this global hub.

In the 1880s and 1890s, Walter Besant was one of Britain's most lionized living novelists. Like many popular writers of the period, Besant suffered from years of critical neglect. Yet his centrality to Victorian society and culture all but ensured a revival of interest. While literary critics are now rediscovering the more than forty works of fiction that he penned or co-wrote, as part of a more general revaluation of Victorian popular literature, legal scholars have argued that Besant, by advocating for copyright reform, played a crucial role in consolidating a notion of literary property as the exclusive possession of the individuated intellect. For their part, historians have recently shown how Besant - as a prominent philanthropist who campaigned for the cultural vitalization of impoverished areas in east and south London - galvanized late Victorian social reform activities. The expanding corpus of work on Besant, however, has largely kept the domains of authorship and activism, which he perceived as interrelated, conceptually distinct. Analysing the mutually constitutive interplay in Besant's career between philanthropy and the professionalization of authorship, Walter Besant: The Business of Literature and the Pleasures of Reform highlights their fundamental interconnectedness in this Victorian intellectual polymath's life and work.

The Routledge Handbook of Pink Floyd is intended for scholars and researchers of popular music, as well as music industry professionals and fans of the band. It brings together international researchers to assess, evaluate and reformulate approaches to the critical study and interpretation of one of the world's most important and successful bands. For the first time, this Handbook will 'tear down the wall,' examining the band's collective artistic creations and the influence of social, technological, commercial and political environments over several decades on their work. Divided into five parts, the book provides a thoroughly contextualised overview of the musical works of Pink Floyd, including coverage of performance and sound; media, reception and fandom; genre; periods of Pink Floyd's work; and aesthetics and subjectivity. Drawing on art, design, performance, culture and counterculture, emergent theoretical resources and analytical frames are evaluated and discussed from across the social sciences, humanities and creative arts. The Handbook is intended for scholars and researchers of popular music, as well as music industry professionals. It will appeal across a range of related subjects from music production to cultural studies and media/communication studies.

The path of a doctoral student can feel challenging and isolating. This guide provides doctoral students with key ideas and support to kick-start a doctoral journey, inspire progress and complete their thesis or dissertation. Featuring observations from experienced supervisors, as well as the reflections of current and recent postgraduate researchers, this intimate and entertaining book offers vital insights into the critical moments in any doctoral experience. Bringing together the voices of doctoral supervisors and candidates past and present from around the globe, How to Keep your Doctorate on Track will be a trusted companion for any PhD, DBA or EdD student. Supervisors and those offering support and guidance to doctoral candidates will also glean valuable insight into fresh approaches and their own practice. Contributors include: A. Alecsandru, F. Archontoulis, C. Atkinson, A. Byrnes-Johnstone, J. Callahan, A. Casey, R. Cole, O.S. Crocco, M. Cseh, Z. Djebali, G. Dobson, J. Donaghey, D.C. Duke, U. Furnier, V.O. Gekara, T. Gray, T.W. Greer, A. Hallin, B. Harney, G. Henry, C. Hughes, P. Jordan, M. Knox, S.F. Lambert, A. Lee, Q.Y. Lee, A. Lobo, R. Markey, N.S. Mauthner, E. McDonald, L. McKerr, D. Nickson, K. Nimon, E. Partlow, H. Prescott, N. Reynolds, S. Riaz, A. Robertson, J. Robinson, K. Rosenbusch, G. Ryan, J.J. Saunders, M. Shirmohammadi, M.K. Tran, A. Trif, M. Valverde, P. Watson Black, V. Webster, R. Whiting, C.F. Wright

The Los Angeles riots in the Spring of 1992 were among the most violent and destructive events in twentieth-century urban America. This collection of original essays by leading urban experts offers the first comprehensive analysis of the unrest that took place after a jury acquitted the police officers who were accused of using excessive force in t

From a cultural history of the essay to incisive contemporary rethinking of its usefulness in the classroom, from guides on how to write a seminar paper to guides on how to assess them, Making the Grade offers desperately needed clarity on a complex genre. The contributions in this book should be standard for every first-semester graduate student and every first-semester professor who wants to prepare undergraduates for graduate-level writing or who wants to prepare graduate students for professional publication.

In the Age of Democratic Revolution, countries on both sides of the Atlantic were linked together through trade networks, diplomatic ties, and social interactions. More importantly, however, they also shared a common revolutionary dynamic that oscillated back and forth across the ocean. Revolutionary Currents explores the global crosscurrents and revolutionary ideologies that inspired four great modern revolutions England's Glorious Revolution of 1688-89, the American Revolution of 1776, the French Revolution in 1789, and the Mexican Revolution in the early 1800s. Michael A. Morrison and Melinda S. Zook bring together noted historians to look at how each nation reshaped these revolutionary traditions, making them their own, and exported them once again. In examining each event, the contributors respond to the historiographical trends of revolutionary ideology, transatlantic cross-fertilzation of ideas, and nation-building. In assessing and analyzing the ideas, traditions, and nationalisms that inspired revolution and nation-building in the modern world, this book breaks new ground in the area of transatlantic history."

In this provocative essay on that least understood virtue, compassion, the authors challenge themselves and us with these questions: Where do we place compassion in our lives? Is it enough to live a life in which we hurt one another as little as possible? Is our guiding ideal a life of maximum pleasure and minimum pain? "Compassion" answers no.
After years of study and discussion among themselves, with other religious, and with men and women at the very center of national politics, the authors look at compassion with a vigorous new perspective. They place compassion at the heart of a Christian life in a world governed far too long by principles of power and destructive control. Compassion, no longer merely an eraser of human mistakes, is a force of prayer and action -- the expression of God's love for us and our love for God and one another.
"Compassion" is a book that says no to a compassion of guilt and failure and yes to a compassionate love that pervades our spirit and moves us to action. Henri Nouwen, Donald McNeill, and Douglas Morrison have written a moving document on what it means to be a Christian in a difficult time.

This book explores the theory and practice of Victorian liberal parenting by focusing on the life and writings of John Morley, one of Britain's premier intellectuals and politicians. Reading Morley's published works-much of which explicitly or implicitly addresses this relationship-with and against other writings of the period, and in the context of formative circumstances in his own life, it explores how living one's life as a liberal extended to parenting. Although Victorian liberalism is currently undergoing reappraisal by scholars in the disciplines of literature and history, only a handful of studies have addressed its implications for intimate personal relations. None have considered the relationship of parent and child. Four of the chapters document how John Morley was parented and how he defined himself as a parent, based on newly available archival materials. Two other chapters analyze his many writings on or concerned with parenting and parenthood.

Having designed Roxy Music as an haute couture suit hand-stitched of punk and progressive music, Bryan Ferry redesigned it. He made Roxy Music ever dreamier and mellower-reaching back to sadly beautiful chivalric romances. Dadaist (punk) noise exited; a kind of ambient soft soul entered. Ferry parted ways with Eno, electric violinist Eddie Jobson, and drummer Paul Thompson, foreswearing the broken-sounding synthesizers played by kitchen utensils, the chance-based elements, and the maquillage of previous albums. The production and engineering imposed on Avalon confiscates emotion and replaces it with an acoustic simulacrum of courtliness, polished manners, and codes of etiquette. The seducer sings seductive music about seduction, but decorum is retained, as amour courtois insists. The backbeat cannot beat back nostalgia; it remains part of the architecture of Avalon, an album that creates an allusive sheen. Be nostalgic, by all means, but embrace that feeling's falseness, because nostalgia-whether inspired by medieval Arthuriana or 1940s film noir repartee or a 1980s drug-induced high-deceives. Nostalgia defines our fantasies and our (not Ferry's) essential artifice.

John Barrymore's Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-3 seasons, stand as high-water marks of twentieth-century Shakespearean interpretation. Many of the conventions of modern practice can be traced to Barrymore's performances: he was the first actor to bring the vocal and physical manner of a post-War gentleman to Shakespeare's tragic protagonists; he was the first to reinterpret time-honored roles in light of modern psychological theory. Michael Morrison reconstructs these historic performances through analysis of the production preparation, audience response, reviews, and memoirs. Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this book, first published in 1997, situates Barrymore's distinctive contribution in light of past and ensuing tradition. It also provides a biographical sketch of one of the most revered and tragic actors of the twentieth century.

Even casual observers will be familiar with the Cherry Blossom or Sakura tress of Japan. When in full bloom the sight is spectacular but it sadly only takes a week until the tree is bare. In a longer cycle of nations and business, we see, unfortunately, a similar pattern for Japanese Multinational Corporations.

Penned by leading historians, the specially-commissioned essays of Whither the Early Republic represent the most stimulating and innovative work being done on imperialism, environmental history, slavery, economic history, politics, and culture in the early Republic. The past fifteen years have seen a dramatic expansion in the scope of scholarship on the history of the early American republic. Whither the Early Republic consists of innovative essays on all aspects of the culture and society of this period, including Indians and empire, the economy and the environment, slavery and culture, and gender and urban life. Penned by leading historians, the essays are arranged thematically to reflect areas of change and growth in the field. Throughout the book, preeminent scholars act as guides for students to their areas of expertise. Contributors include Pulitzer Prize-winner Alan Taylor, Bancroft Prize-winner James Brooks, Christopher Clark, Ted Steinberg, Walter Johnson, Patricia Cline Cohen, David Waldstreicher, and more. These essays, all originally commissioned to appear in a special issue of the Journal of the Early Republic, explore a diverse array of subjects: the struggles for control of North America; the economic culture of the early Republic; the interactions of humans with plants, climate, animals, and germs; the commodification of people; and the complex intersections of politics and culture. Whither the Early Republic offers a wealth of tools for introducing a new generation of historians to the nature of the field and also to the wide array of possibilities that lie in the future for scholars of this fascinating period.

With American independence came the freedom to sail anywhere in the world under a new flag. During the years between the Treaty of Paris and the Treaty of Wangxi, Americans first voyaged past the Cape of Good Hope, reaching the ports of Algiers and the bazaars of Arabia, the markets of India and the beaches of Sumatra, the villages of Cochin, China, and the factories of Canton. Their South Seas voyages of commerce and discovery introduced the infant nation to the world and the world to what the Chinese, Turks, and others dubbed the "new people." Drawing on private journals, letters, ships' logs, memoirs, and newspaper accounts, Dane A. Morrison's True Yankees traces America's earliest encounters on a global stage through the exhilarating experiences of five Yankee seafarers. Merchant Samuel Shaw spent a decade scouring the marts of China and India for goods that would captivate the imaginations of his countrymen. Mariner Amasa Delano toured much of the Pacific hunting seals. Explorer Edmund Fanning circumnavigated the globe, touching at various Pacific and Indian Ocean ports of call. In 1829, twenty-year-old Harriett Low reluctantly accompanied her merchant uncle and ailing aunt to Macao, where she recorded trenchant observations of expatriate life. And sea captain Robert Bennet Forbes's last sojourn in Canton coincided with the eruption of the First Opium War. How did these bold voyagers approach and do business with the people in the region, whose physical appearance, practices, and culture seemed so strange? And how did native men and women-not to mention the European traders who were in direct competition with the Americans-regard these upstarts who had fought off British rule? The accounts of these adventurous travelers reveal how they and hundreds of other mariners and expatriates influenced the ways in which Americans defined themselves, thereby creating a genuinely brash national character-the "true Yankee." Readers who love history and stories of exploration on the high seas will devour this gripping tale.

This companion to Victorian popular fiction includes more than 300 cross-referenced entries on works written for the British mass market. Biographical sketches cover the writers and their publishers, the topics that concerned them and the genres they helped to establish or refine. Entries introduce readers to long-overlooked authors who were widely read in their time, with suggestions for further reading and emerging resources for the study of popular fiction.

This book is a crucial resource for instructors interested in bringing the past alive for their students through hands-on, immersive educational experiences. While sharing a common historical field, the contributors hail from multiple disciplines, including art history, human biology, biological anthropology, and English literature. Ranging from assignments that involve students editing and annotating a primary work to producing an array of digital projects, and from participating in study-abroad programs to taking part in service-learning initiatives, the chapters will furnish readers with strategies for creating engaged and dynamic classrooms. Although the focus of the book is on Victorian Britain, the pedagogical approaches outlined in each chapter will be useful to instructors of any historical field.

Woolworth's bright red signboard was a beacon on British and Irish high streets for nearly a century. American in origin, Woolworth's grew rapidly after the first branch opened in Liverpool in 1909. The business model - with inexpensive goods piled on counter tops - scored an immediate hit with British consumers. By 1930 there were 400 stores, and by 1960 over 1000. With its own architects' department and regional construction teams, Woolworth's erected hundreds of prominent stores in shopping centres throughout England, Scotland, Ireland and Wales. It is these buildings - often typical of the commercial architecture of their day - which provide the focus of this book. This is not, however, a conventional architectural history - it is the story of Woolworth's seen through the prism of its stores. The Woolworth's chain was of huge cultural importance, shaping and reflecting fundamental changes - mostly American in origin - that took place in the nation's shopping habits. Despite its dominant position on the high street, by the 1960s Woolworth's was beginning to lose its way. As people acquired cars and freezers and began to desert the high street, Woolworth's tried to stay ahead of the game with unsuccessful ventures into out-of-town and catalogue shopping. But by the time of its demise in 2009, a shrunken Woolworth's owned just two of the stores which it had built and developed over the preceding century. The closure of the last British stores in January 2009 provoked an outpouring of nostalgia and grief. Woolworth's occupied the heart of many communities, physically and commercially, and its heritage deserves celebration.

Considers the interrelated careers of three highly significant women writers of the nineteenth century Traces a chain of influence among three highly significant women writers of the nineteenth century: Mary Russell Mitford, Elizabeth Gaskell, and George Eliot Reconsiders the literary category of provincialism and the genre of the village story with due consideration of a range of publication formats and contexts Works across literary periods to offer innovative rereadings of several important Romantic- and Victorian-era texts Combines nineteenth-century cultural-historical and literary analysis to advance recent revaluations of liberalism by considering its emotive and not just its ratiocinative dimensions In this lively and illuminating work, Kevin A. Morrison offers a reassessment of Mary Russell Mitford's and Elizabeth Gaskell's provincial fiction, sometimes deprecated within a genre frequently considered 'minor literature', and demonstrates the importance of their work to the development of George Eliot's liberalism in the age of high realism. Although Gaskell was influenced by Mitford, and Eliot by Gaskell, only a handful of scholars have considered the affinities and resemblances among them. None have done so in depth. Establishing a chain of influence, this book examines the three authors' interrelated careers: the challenges they encountered in achieving distinction within the literary sphere; the various pressures exerted on them by publishers, reviewers, and editors; and the career-enhancing possibilities afforded, and the limitations imposed, by different modes of publication. Attending to publication history, genre, and narrative voice, Morrison suggests new ways to think about provincialism, liberalism, and women's networked authorship in the nineteenth century.

Build the skills for determining appropriate error limits for quantities that matter with this essential toolkit. Understand how to handle a complete project and how uncertainty enters into various steps. Provides a systematic, worksheet-based process to determine error limits on measured quantities, and all likely sources of uncertainty are explored, measured or estimated. Features instructions on how to carry out error analysis using Excel and MATLAB (R), making previously tedious calculations easy. Whether you are new to the sciences or an experienced engineer, this useful resource provides a practical approach to performing error analysis. Suitable as a text for a junior or senior level laboratory course in aerospace, chemical and mechanical engineering, and for professionals.

Build the skills for determining appropriate error limits for quantities that matter with this essential toolkit. Understand how to handle a complete project and how uncertainty enters into various steps. Provides a systematic, worksheet-based process to determine error limits on measured quantities, and all likely sources of uncertainty are explored, measured or estimated. Features instructions on how to carry out error analysis using Excel and MATLAB (R), making previously tedious calculations easy. Whether you are new to the sciences or an experienced engineer, this useful resource provides a practical approach to performing error analysis. Suitable as a text for a junior or senior level laboratory course in aerospace, chemical and mechanical engineering, and for professionals.