This work explores the earliest extant discussions on the authority of the Hadith in Islam and compares them with contemporary debates. These lively and often polemical debates are mostly popular discussions in which Muslims from different backgrounds and cultures participate - making this topic relevant to Muslims in their daily lives, as well as a question of academic interest. What makes this book unique is that it is the first study to take into account both the earliest and most recent discussions of the oral tradition of the prophet Muhammad. The book also includes the first Western language translation of al-Shafi'i's Kitab Jima' al-'Ilm, which articulates arguments that were critical in establishing the position of the Hadith in mainstream Islam.

This book gives a panoramic view of the rise and growth of Nollywood, Nigeria's movie and home video entertainment industry, into the second largest and most prolific movie-producing industry in the world. It offers an analysis of Nollywood's influence as a local and global cultural force. Scholars from Africa, the African Diaspora and beyond examine the factors that have shaped Nollywood's unique story-telling, production, and distribution system. The volume shows how internal and external economic, social, cultural and technological changes intersect to define Nollywood's film-making and entertainment ethos. It is grounded in sound theoretical perspectives that help readers understand the texts and subtexts of the industry's emergence, transformation, and impact. The range of subjects covered span Nollywood's historical roots in Nigeria pre-colonial traveling/community theatre to colonial era film-making, and its contemporary spin-offs and inspired cousins across Africa and in Europe. It illuminates the interface of artistic, business, cultural and technological innovation and creativity at the heart of Africa's local and global pop culture explosion.

Communication, Culture, and Human Rights in Africa provides a comprehensive and interdisciplinary analysis of the interface between human rights and civil society, the media, gender, education, religion, health communication, and political processes in sub-Saharan Africa. It weaves theory, history, policy, and case analyses into a holistic intellectual and cultural critique, while offering insightful practical solutions.

This work explores the earliest extant discussions on the authority of the Hadith in Islam and compares them with contemporary debates. These lively and often polemical debates are mostly popular discussions in which Muslims from different backgrounds and cultures participate - making this topic relevant to Muslims in their daily lives, as well as a question of academic interest. What makes this book unique is that it is the first study to take into account both the earliest and most recent discussions of the oral tradition of the prophet Muhammad. The book also includes the first Western language translation of al-Shafi'i's Kitab Jima' al-'Ilm, which articulates arguments that were critical in establishing the position of the Hadith in mainstream Islam.

This book gives a panoramic view of the rise and growth of Nollywood, Nigeria's movie and home video entertainment industry, into the second largest and most prolific movie-producing industry in the world. It offers an analysis of Nollywood's influence as a local and global cultural force. Scholars from Africa, the African Diaspora and beyond examine the factors that have shaped Nollywood's unique story-telling, production, and distribution system. The volume shows how internal and external economic, social, cultural and technological changes intersect to define Nollywood's film-making and entertainment ethos. It is grounded in sound theoretical perspectives that help readers understand the texts and subtexts of the industry's emergence, transformation, and impact. The range of subjects covered span Nollywood's historical roots in Nigeria pre-colonial traveling/community theatre to colonial era film-making, and its contemporary spin-offs and inspired cousins across Africa and in Europe. It illuminates the interface of artistic, business, cultural and technological innovation and creativity at the heart of Africa's local and global pop culture explosion.