Uncover the true story of the man who unified medieval Japan. For 700 years, Japan was ruled by military commanders who waged war against one another incessantly. Shogun tells the fascinating story of Tokugawa Ieyasu, the man who finally unified and brought lasting peace to the nation. He established a new central government which enabled his descendants to rule Japan for the next 260 years--a period in which Japanese culture as we know it today flourished. The dramatic episodes retold in this book include: Ieyasu's crushing victory at the Battle of Sekigahara, the largest battle ever fought in Japan His creation of a new form of government with a centralized system of control that allowed his descendants to rule Japan peacefully for the next 15 generations Ieyasu's fateful decision to limit the spread of Christianity in Japan, ultimately banning the religion and massacring tens of thousands of ardent believers This new edition highlights the drama and pageantry of Ieyasu's life and features a new foreword by leading Japanese military historian Alexander Bennett.

This is a new release of the original 1928 edition.

This is a new release of the original 1928 edition.

1928. Being two thirteenth-century Japanese classics, the Hojoki and selections from the Heike Monogatari. The Hojoki consists of the reflections of a recluse who had retired in disgust from a world that was too full of violent contrasts and cataclysms, both of animate and inanimate nature, to allow a sensitive person to find it at all tolerable. If, though there are some Japanese scholars who question it, tradition ascribes this work truly to Kamono-chomei, it was disappointment at not being allowed to succeed to the ancestral position of Lord Warden of the Shrine of Kamo in Kyoto that caused him to forsake the world and go to live in the hills. As can be seen from the Heike Monogatari, which describes the period in more detail, Chomei was not singular in being thus arbitrarily deprived of position and income, neither was he the only one who sought refuge in nature and Buddhist philosophy.

1928. Being two thirteenth-century Japanese classics, the Hojoki and selections from the Heike Monogatari. The Hojoki consists of the reflections of a recluse who had retired in disgust from a world that was too full of violent contrasts and cataclysms, both of animate and inanimate nature, to allow a sensitive person to find it at all tolerable. If, though there are some Japanese scholars who question it, tradition ascribes this work truly to Kamono-chomei, it was disappointment at not being allowed to succeed to the ancestral position of Lord Warden of the Shrine of Kamo in Kyoto that caused him to forsake the world and go to live in the hills. As can be seen from the Heike Monogatari, which describes the period in more detail, Chomei was not singular in being thus arbitrarily deprived of position and income, neither was he the only one who sought refuge in nature and Buddhist philosophy.

Classic works from Noh, Kyogen, and Kabuki theaters Nothing reflects the beauty of life as much as Japanese theater. It is here that reality is held suspended and the mind is filled with words, music, dance, and mysticism. In this groundbreaking book, Professor A.L. Sadler's translations come alive, bringing the mysteries of Noh, Kyogen, and Kabuki to modern readers worldwide. This influential classic provides a cross-section of Japanese theater that gives the reader a sampler of its beauty and power. Sadler includes 40 plays spanning the following three genres: Noh--As the oldest form of Japanese drama, Noh is remarkable for its unique staging. It has a powerful ability to create a world that represents the iconic attributes that the Japanese hold in the highest esteem: family, patriotism, and honor. Kyogen--Kyogen plays provide comic relief and typically center around the inversion of social hierarchies. Oftentimes, they are performed between the serious and stoic Noh plays. Similarly, Sadler's translated Kyogen pieces are layered between the Noh and the Kabuki plays in this book. Kabuki -- The Kabuki plays were the theater of the common people of Japan and are characterized by visual spectacle. The course of time has given them the patina of folk art, making them precious cultural relics of Japan. Sadler selected these pieces for translation because of their lighter subject matter and relatively upbeat endings. These plays are more linear in their telling and pedestrian in the lessons learned, and show the difficulties of being in love when a society is bent on conformity and paternal rule. The end result found in Japanese Plays is a wonderful selection of classic Japanese dramatic literature sure to enlighten and delight.

1928. Being two thirteenth-century Japanese classics, the Hojoki and selections from the Heike Monogatari. The Hojoki consists of the reflections of a recluse who had retired in disgust from a world that was too full of violent contrasts and cataclysms, both of animate and inanimate nature, to allow a sensitive person to find it at all tolerable. If, though there are some Japanese scholars who question it, tradition ascribes this work truly to Kamono-chomei, it was disappointment at not being allowed to succeed to the ancestral position of Lord Warden of the Shrine of Kamo in Kyoto that caused him to forsake the world and go to live in the hills. As can be seen from the Heike Monogatari, which describes the period in more detail, Chomei was not singular in being thus arbitrarily deprived of position and income, neither was he the only one who sought refuge in nature and Buddhist philosophy.

1928. Being two thirteenth-century Japanese classics, the Hojoki and selections from the Heike Monogatari. The Hojoki consists of the reflections of a recluse who had retired in disgust from a world that was too full of violent contrasts and cataclysms, both of animate and inanimate nature, to allow a sensitive person to find it at all tolerable. If, though there are some Japanese scholars who question it, tradition ascribes this work truly to Kamono-chomei, it was disappointment at not being allowed to succeed to the ancestral position of Lord Warden of the Shrine of Kamo in Kyoto that caused him to forsake the world and go to live in the hills. As can be seen from the Heike Monogatari, which describes the period in more detail, Chomei was not singular in being thus arbitrarily deprived of position and income, neither was he the only one who sought refuge in nature and Buddhist philosophy.