Baseball has long been viewed as the Great American Pastime, so it is no surprise that the sport has inspired many Hollywood films and television series. But how do these works depict the game, its players, fans, and place in American society? This study offers an extensive look at nearly one hundred years of baseball-themed movies, documentaries, and TV shows. Film and sports scholar Aaron Baker examines works like A League of their Own (1992) and Sugar (2008), which dramatize the underrepresented contributions of female and immigrant players, alongside classic baseball movies like The Natural that are full of nostalgia for a time when native-born white men could use the game to achieve the American dream. He further explores how biopics have both mythologized and demystified such legendary figures as Ty Cobb, Babe Ruth, Lou Gehrig, Jackie Robinson and Fernando Valenzuela. The Baseball Film charts the variety of ways that Hollywood presents the game as integral to American life, whether showing little league as a site of parent-child bonding or depicting fans' lifelong love affairs with their home teams. Covering everything from Bull Durham (1988) to The Bad News Bears (1976), this book offers an essential look at one of the most cinematic of all sports.

Indie crime thriller starring Nick Stahl as Noah Cordin, a young small-town detective investigating the accidental murder of an eight-year-old boy during a house robbery. Along with his partner, Leslie Spencer (Rachel Nichols), Noah must overcome the obstacles posed by small-town loyalties and deep-rooted suspicions to track down the perpetrators. Meryl Streep's daughter Grace Gummer co-stars as Nat Collins, a local barmaid who appears to be implicated in the crime.

Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit "Sex, Lies, and Videotape" to populist social problem films such as "Erin Brockovich," and from the modernist discontinuity of "Full Frontal" and filmed performance art of "Gray's Anatomy" to a glossy, star-studded action blockbuster such as "Ocean's Eleven." Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.

A captivating cast of 1980s power and talent--John Candy, Tom Cruise, Robert DeNiro, Clint Eastwood, Sally Field, Harrison Ford, Michael J. Fox, Mel Gibson, Goldie Hawn, Jessica Lange, Steve Martin, Eddie Murphy, Arnold Schwarzenegger, Sissy Spacek, Sylvester Stallone, Meryl Streep, Sigourney Weaver, Bruce Willis, and the "Brat Pack"--stars in the drama of this decade. "Acting for America" focuses on the way these film icons have engaged in and defined some major issues of cultural and social concern to America during the 1980s.

Scholars employing a variety of useful approaches explore how these movie stars' films speak to an increased audience awareness of advances in feminism, new ideas about masculinity, and the complex political atmosphere in the Age of Reagan. The essays demonstrate the range of these stars' contributions to such conversations in a variety of films, including blockbusters and major genres.

Billy Hawkins learns at a young age that his complement of human attributes is incomplete. After consciously making the decision to eliminate the man who has been physically abusing his mother, Billy finds within himself the degree of moral flexibility needed to successfully carry out the execution. During his second year at Rice University, Billy finds a second application for his unique traits. When Billy witnesses his childhood sweetheart and soul mate being attacked by a campus rapist, he unflinchingly applies deadly force to the assailant-feeling no remorse. Billy then decides to alter his education plans to facilitate a demonstration for the Catholic Church concerning its misguided defense of priests guilty of child sex abuse. Although his main goal is to convince the church hierarchy to revise its methods of selecting priest candidates, Billy presents an object lesson by assassinating priests who are known child predators sheltered by the church bureaucracy. After a substantial hit of ten American priests on a sex tour in Mexico, a joint FBI-police task force is formed to put an end to Billy's crusade. The skills and dedication of a crusty Seattle police sergeant and a young

Out of Bounds is a collection of essays that regards the media representation of professional sports through the lens of cultural studies. Editors Aaron Baker and Todd Boyd contend that the popularity of sports derives not simply from their appeal as leisure entertainment but from their contribution to discussion of larger issues of class, race, gender, and masculinity. Essays in the collection challenge media wisdom about the apolitical nature of sports by examining how they contribute to the contested process of defining social identities. Included within a broad range of works are " Never Trust a Snake: WWF Wrestling as Masculine Melodrama," (Henry Jenkins), "Mike Tyson and the Perils of Discursive Constraints: Boxing, Race and The Assumption of Guilt" (John Sloop), and "Visible Difference and Flex Appeal: The Body, Sex, Sexuality, and Race in the Pumping Iron Films" (Christine Holmlund)."

Baseball has long been viewed as the Great American Pastime, so it is no surprise that the sport has inspired many Hollywood films and television series. But how do these works depict the game, its players, fans, and place in American society?   This study offers an extensive look at nearly one hundred years of baseball-themed movies, documentaries, and TV shows. Film and sports scholar Aaron Baker examines works like A League of their Own (1992) and Sugar (2008), which dramatize the underrepresented contributions of female and immigrant players, alongside classic baseball movies like The Natural that are full of nostalgia for a time when native-born white men could use the game to achieve the American dream. He further explores how biopics have both mythologized and demystified such legendary figures as Ty Cobb, Babe Ruth, Lou Gehrig, Jackie Robinson and Fernando Valenzuela.   The Baseball Film charts the variety of ways that Hollywood presents the game as integral to American life, whether showing little league as a site of parent-child bonding or depicting fans’ lifelong love affairs with their home teams. Covering everything from Bull Durham (1988) to The Bad News Bears (1976), this book offers an essential look at one of the most cinematic of all sports.

Known for its detailed and authoritative approach, Smith & Wood's Employment Law provides a comprehensive yet accessible guide to employment law. Clear accounts of essential case law and legislation are complemented by insightful commentary and critique to direct preparation for classes and assessments. This textbook carefully explains topics in their social and historical context, providing readers with an awareness of the fast-paced development of employment legislation and offering a critical analysis of the future direction of the law. Digital formats and resources The fifteenth edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. - The e-book offers a mobile experience and convenient access along with functionality tools, navigation features and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks The following resources for this book are available online: - Self-test questions with feedback for each chapter - Further reading lists and useful websites

In this prize-winning collection, a debut poet evokes his childhood as the son of missionaries in Papua New Guinea.
Mission Work is an arresting collection of poems based on Aaron Baker's experiences as a child of missionaries living among the Kuman people in the remote Chimbu Highlands of Papua New Guinea. Rich with Christian and Kuman myths and stories, the poems explore Western and tribal ways of looking at the world -- an interface of vastly different cultures and notions of spirituality, illuminated by the poet's own struggles as he comes of age in this unique environment.
The images conjured in Mission Work are viscerally stirring: native people slaughter pigs for a Chimbu wedding ceremony; a papery flight of cicadas cuts through a cloud forest; hands sting as they beat a drum made of dried snakeskin. Quieter moments are shot through with the unfamiliar as well. In "Bird of Paradise," a father angles his son's head toward the canopy of the jungle so the boy can catch sight of an elusive bird.
Stanley Plumly, this year's guest judge, writes, "How rare to find precision and immersion so alive in the same poetry. Aaron Baker's pressure on his language not only intensifies and elevates his memories of Papuan 'mission work, ' it transforms it back into something very like his original childhood experience. Throughout this remarkably written and felt first book, the reader, like the author himself, 'can't tell if this is white or black magic, ' Christian, tribal, or both at once."

Since the earliest days of the silent era. American filmmakers have been drawn to the visual spectacles of sports and their compelling narratives of conflict, triumph, and individual achievement. In Contesting Identities Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time--from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century. Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities such as class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance. In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the "manly" female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.