Emerging technologies of design and production have transformed the role of drawings within the contemporary design process from that of design generators to design products. As architectural design has shifted from an analogue drawing-based paradigm to that of a computational model-based paradigm, the agency of the drawing as a critical and important form of design representation has shifted. Drawing Codes: Experimental Protocols of Architectural Representation examines the effects of this transformation on the architectural discipline and explores how architects have critically integrated procedural thinking into their drawing process. The book contains 96 commissioned drawings by a diverse range of architects that investigate how rules and constraints inform the ways architects document, analyse, represent, and design the built environment. The publication features essays by architects and theorists offering diverse perspectives on how computational techniques and, more importantly, computational thinking, can revitalise the role of architectural drawing as a creative and critical act. Each drawing responds to a shared conceptual prompt developed by the authors and conforms to a standard size and format. The intent is for this consistency to elicit a wide range of approaches to questions of technology, design, code, and representation. The book documents how computational processes such as procedural drawing, digital simulation, automated production, and machine learning can contribute to a new understanding of what drawings are and how they are created. The result is a considerable diversity of medium, aesthetic sensibility, and content, demonstrating how conventions of architectural representation remain fertile territory for invention and speculation.

Kit Monkman directs this experimental British drama following teenager Paul Varderman (Jack McMullen) as he recounts the events leading up to his death. Paul tells how he got mixed up with the wrong crowd while trying to find a place for himself at his new school and how the local bully, Roth (Jamie Shelton), sparked a feud between two rival school gangs which would result in Paul being killed.

Action-packed revenge thriller about a wounded special forces soldier who takes matters into his own hands when a friend disappears. After being wounded on the battlefields of Iraq, elite special forces soldier MacPherson (Val Kilmer) is forced to retire from the Marine Corps. Arriving back home to an uncertain future, he receives an invitation from a former comrade and reluctantly agrees to join him on his ranch in Arizona. On his arrival, he finds that his friend has mysteriously disappeared, and that none of the locals will admit to knowing him. On further investigation, he discovers a plot by local businesses aimed at running illegal immigrants out of town by any means possible, including murder. Armed and extremely dangerous, the one-man army decides to dispense some rough justice of his own.

The seventh outing in the classic slasher horror franchise sees the return of chainsaw-wielding killer Leatherface. Alexandra Daddario stars as Heather, a young woman who travels to Texas with her boyfriend Ryan (Trey Songz) and two other friends to collect a family inheritance. On arrival, the friends realise to their horror that Heather's legacy includes the unwanted attentions of crazed murderer Leatherface (Dan Yeager) and his cannibalistic clan. The film features a cameo appearance from Gunnar Hansen, who played Leatherface in the original 1974 film.

The seventh outing in the classic slasher horror franchise sees the return of chainsaw-wielding killer Leatherface. Alexandra Daddario stars as Heather, a young woman who travels to Texas with her boyfriend Ryan (Trey Songz) and two other friends to collect a family inheritance. On arrival, the friends realise to their horror that Heather's legacy includes the unwanted attentions of crazed murderer Leatherface (Dan Yeager) and his cannibalistic clan. The film features a cameo appearance from Gunnar Hansen, who played Leatherface in the original 1974 film.