The first reference book to twentieth-century war, literature and culture In fifty-seven chapters leading academics in the field of twentieth-century war studies examine the major wars of the century as well as other conflicts imagined by English and US writers. These include the Boer War, Spanish Civil War, the troubles in Northern Ireland, the Korean War and the decolonising conflicts in Africa through to the war on terror. Topics covered include: pacifism; refugees; camouflage; the war plane; war and children's literature; war and art; spy thrillers, and many more. Taken together the essays make a deliberate and thought-provoking intervention in the field. Key Features: Original essays commissioned from major critics and cultural historians Reflects the way war studies are currently being taught and researched: in the volume's approach, structure and breadth of coverage For scholars: core arguments and detailed research topics For students: Historically grounded topic- and genre-based essays, useful forstudying the modern period and war modules.

Remembering the Sound of Words is a major new studyof four of modern literature's most important writers--and the first serious attempt to account for complex sound effects in prose Adam Piette establishes fascinating new links between such sound effects and the representation of memory in literary texts. He sets out a workable taxonomy of sound-repetitions in prose and formulates, throught a theory of alternating-devices, the ways in which the reader's attention is drawn to the acoustic surface of the text. Through close analysis of Mallarm 'e's prose-poetry, Proust's musical syntax, Joyce's memory-rhymes (from the Portrait of the Artist through Ulysses to Finegan's Wake ), and Beckett's prose and drama, Piette demonstrates that sound effects act as intricate reminders of memory-traces in the text. Despite wide divergence in these four writers' representations of memory, the book shows that the use of this memory-rhyme technique is common to them all, and is emplyed in particular to express the textual migration of past key-words, self-centred comic tyranny, and the fitful unifaction of body and memory within the narrative voice. This book is intended for scholars and students of