Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"My name is Arianna. Beware the storms. When you hear thunder, I hear battle cries. When you see rain, I see blood. My kind has warred with each other for ages. I fight on one side and my love on the other." Shuddering, she continued. "We thought we would bring peace, but in the end it would not be so. My biggest regret is also my greatest joy. We had a child. He is neither Light nor Dark, but balanced evenly. His name is Alexander. Both sides fear him and call him tainted. In their haste of ignorance they ordered him to be executed, but we could not stand by and let our son be destroyed. My love drew their attention away by challenging them to fight buying me time to hide our child with his freedom and possibly his life as well. Please take him. Protect him where I could not." But when Alexander is found he must learn to embrace his destiny and become who he really is. The storms are brewing and he must stand against his race if he is to save earth and the family he loves. The storms are coming.

The East Asian Crisis of 1997 and the following economic meltdown has raised new questions about the role of public policy in Asian economic growth and the best mix of policies to insure the survival of economic growth. Although economists agree that macroeconomic stability, the encouragement of exports and FDI inflows, and the development of human resources have been important in East Asian growth, they do not agree on whether industry specific policies have been useful. The policy experiences of the countries are diverse and do not show a strong relationship between policies and success. Bringing together the work of development economics experts, this book looks at the role of economic policy in East Asian development, the challenge of the economic meltdown, and the critical issues raised by that meltdown.

Based on research and conferences at the International Centre for the Study of East Asian Development in Kitakyushu, Japan, the book opens with general chapters considering the policies behind East Asian growth, then discusses the policies of each country in country specific chapters. Up to date in its discussion, the book considers the questions raised by the crisis of 1997 from a variety of perspectives.

Photoprotection, Photoinhibition, Gene Regulation, and Environment examines the processes whereby plants monitor environmental conditions and orchestrate their response to change, an ability paramount to the life of all plants. "Excess light", absorbed by the light-harvesting systems of photosynthetic organisms, is an integrative indicator of the environment, communicating the presence of intense light and any conditions unfavorable for growth and photosynthesis. Key plant responses are photoprotection and photoinhibition. In this volume, the dual role of photoprotective responses in the preservation of leaf integrity and in redox signaling networks modulating stress acclimation, growth, and development is addressed. In addition, the still unresolved impact of photoinhibition on plant survival and productivity is discussed. Specific topics include dissipation of excess energy via thermal and other pathways, scavenging of reactive oxygen by antioxidants, proteins key to photoprotection and photoinhibition, peroxidation of lipids, as well as signaling by reactive oxygen, lipid-derived messengers, and other messengers that modulate gene expression. Approaches include biochemical, physiological, genetic, molecular, and field studies, addressing intense visible and ultraviolet light, winter conditions, nutrient deficiency, drought, and salinity.

Antioxidants in Higher Plants provides a unique blend of molecular and biochemical approaches to cover the state of the art in antioxidant function. The chemistry and protective potential of sulfhydryl and hydroxyl compounds are emphasized. Interesting perspectives are presented regarding the response of antioxidant metabolism to interactions among environmental pollutants, illumination, temperature, and water availability. The book also discusses how tools of molecular biology may further clarify antioxidant function and response to stress. Antioxidants in Higher Plants will be an excellent reference for plant physiologists, biochemists, molecular biologists, ecologists, and students.

Antioxidants in Higher Plants provides a unique blend of molecular and biochemical approaches to cover the state of the art in antioxidant function. The chemistry and protective potential of sulfhydryl and hydroxyl compounds are emphasized. Interesting perspectives are presented regarding the response of antioxidant metabolism to interactions among environmental pollutants, illumination, temperature, and water availability. The book also discusses how tools of molecular biology may further clarify antioxidant function and response to stress. Antioxidants in Higher Plants will be an excellent reference for plant physiologists, biochemists, molecular biologists, ecologists, and students.

Box set comprising four classic Cary Grant films as well as a documentary about his life and work made in 2004, 'Cary Grant: A Class Apart'. 'Night and Day' (1946) is a fictionalized biography of Cole Porter, made while the composer was still alive, starring Grant in the title role. The film begins in the 1910s when Porter is at Yale University, then follows him through the First World War, in which he works as an ambulance driver in France and marries a nurse from an aristocratic family (Alexis Smith). Director Michael Curtiz then focuses on Porter's glittering career through the 1940s, and the film contains performances of many of his most famous songs. It is now generally conceded that many of the facts on which the film is based are wildly inaccurate: Porter was in fact gay and married a divorcee friend for convenience, and his much-feted military experiences were a hoax. 'Destination Tokyo' (1943) is a suspenseful wartime drama about a US submarine, USS Copperfin, sent into Tokyo harbour under secret orders in the early days of the Second World War. Cary Grant plays the submarine's commander, whose mission is to get the submarine and its crew into the harbour undetected and send a landing party ashore in order to obtain vital information for the planned Doolittle air raid on Tokyo. 'North By Northwest' (1959) is a masterful mix of comedy and suspense from Alfred Hitchcock. Advertising executive Roger Thornhill (Grant) is lunching in a restaurant with his mother when he mistakenly answers a page for one George Kaplan. He soon finds himself on the run across the country, being pursued by enemies of the government who are convinced that he is a secret agent. He finds a friend in Eve Kendall (Eve Marie Saint), who helps conceal him during a perilous train journey, but soon discovers that she is not all she seems. 'Arsenic and Old Lace' (1944) is a macabre comedy about the elderly Brewster sisters, who poison lonely old men to put them out of their misery and bury them in their basement. When their nephew Mortimer (Grant) calls to announce his engagement, he discovers the grisly family secret. To complicate matters, his evil sibling Jonathan (Raymond Massey) has just escaped from jail, and arrives at the family home with murderous intentions of his own.

A group of foreigners in the northeastern town of Shishan finds the status quo upset when Helen Frances, a young woman with a middle class upbringing but a fatal flaw, arrives and falls in love with the Hon Henry Manners. The most astonishing range of characters awaits you in this novel; the wicked brothel-keeper Madam Liu and her sadistic son Ren Ren, the pragmatic, rational missionary Dr Airton, the American zealot Septimus Harding, the equivocal Mandarin. Not to mention the wonderfully complicated anti-hero Henry Manners, the prostitutes Fan Yimei and Shen Ping, the bandit Iron Man Wang, the Mongolian shaman. And the ingenue, Helen Frances herself, whose innocence covers an unorthodox curiosity.

This volume completes the documentation of excavations at the Nubian site of Qasr Ibrim conducted by the Egypt Exploration Society, continuing the tradition of documenting the history and archaeology of the site phase-by-phase. Previous monographs dealt with the Ballana phase (c. AD 350-600), the earlier (c. 600-1172) and the later medieval period (c. 1172-1500). The present work carries the story forward to the final abandonment of the site in AD 1812, the period when Lower Nubia was annexed to the Ottoman Empire, and an Ottoman garrison was installed at Qasr Ibrim. Part I deals with the historical record of the site, based on archival sources, Part II presents the archaeological evidence, followed in Part III by brief summaries on the Ottoman period artefacts found at the site, in particular pottery (by William Y. Adams), basketry (by Boyce N. Driskell), and textiles (by Nettie K. Adams)

6-movie collection of Hitchcock classics features.

North By Northwest:
North By Northwest is a suspense thriller that finds Cary Grant in the role of Roger Thornhill, a Manhattan advertising executive mistaken for a spy. Considered by many to be the prototypical pure action movie (creating the template for later James Bond and Indiana Jones films), the film is a cross-country roller-coaster ride with Alfred Hitchcock at the helm. The film is duly famous for several classic and indelible scenes, including the desert biplane encounter and the Mt. Rushmore climax.

The Wrong Man:
Hitchcock movie starring Henry Fonda and Vera Miles. Manny Ballestero is an honest hardworking musician at New York's Stork Club. When his wife needs money for dental treatment, Manny goes to the local insurance office to borrow on her policy. Employees at the office mistake him for a hold-up man who robbed them the year before and the police are called. The film tells the true story of what happened to Manny and his family.

Dial M For Murder:
Classic Hitchcock movie starring Grace Kelly and Ray Milland. Ex-tennis pro Tony Wendice decides to murder his wife for her money and because she had an affair the year before. He blackmails an old college associate to strangle her, but when things go wrong he sees a way to turn events to his advantage.

I Confess:
Hitchcock movie starring Montgomery Clift and Anne Baxter. Otto Kellar and his wife Alma work as caretaker and housekeeper at a Catholic church in Quebec. Whilst robbing a house where he sometimes works as a gardener, Otto is caught and kills the owner. Racked with guilt he heads back to the church where Father Michael Logan is working late. Otto confesses his crime, but when the police begin to suspect Father Logan he cannot reveal what he has been told in the confession.

Strangers On A Train:
Based on the Patricia Highsmith novel, Strangers On A Train quickly became one of Alfred Hitchcock's most successful thrillers and remains one of his most popular films. En route from Washington, D.C., champion tennis player Guy Haines (Farley Granger) meets pushy playboy Bruno Anthony (Robert Walker). What begins as a chance encounter turns into a series of morbid confrontations, as Bruno manipulates his way into Guy's life. Bruno is eager to kill his father and knows Guy wants to marry a senator's daughter (Ruth Roman) but cannot get a divorce from his wife, Miriam (Laura Elliot). So Bruno suggests the men swap murders, which would leave no traceable clues or possible motives. Though Guy refuses, it will not be so easy to rid himself of the psychopathic Bruno. The film is tightly paced and disturbing from beginning to end, an effect heightened by Hitchcock's inventive camera work, including a terrifying sequence shot through a pair of eyeglasses that have been knocked to the ground.

Stage Fright:
Hitchcock movie starring Jane Wyman and Marlene Dietrich. Jonathan Cooper is wanted by the police who suspect him of killing his lover's husband. His friend Eve Gill offers to hide him and Jonathan explains to her that his lover, actress Charlotte Inwood is the real murderer. Eve decides to investigate for herself, but when she meets the detective in charge of the case, she starts to fall in love.

The fall of Acre in 1291 inspired many schemes for crusades to recover Jerusalem. One of these proposals is How to Defeat the Saracens, written around 1317 by William of Adam, a Dominican who traveled in the eastern Mediterranean, Persia, and parts of India. Extensive notes guide the reader through the historical context of this fascinating work.