This fourth volume of the ACorrespondance generaleA contains 368 letters written during the period of the Consulat when, as a member of the Tribunat until January 1802, Constant acquired a reputation as a brilliant orator and outspoken opponent of Bonaparte. It was also a period when he produced a number of manuscripts on politics and religion on which he would base works published between 1814 and 1830. The correspondence also contains letters of compelling human interest to and from Julie Talma and an extraordinary epistolary exchange with Anna Lindsay, with whom Constant fell in love in 1800.

The 285 letters contained in this volume of the "Correspondance gA(c)nA(c)rale" date from the years following Constant's exclusion from the Tribunal. They reflect his work on religious issues, his dreams of literary success, and his travels in France, Germany, and Switzerland. In addition, they provide an impression of political life at the beginning of the Napoleonic empire and the emotional vicissitudes undergone by their author: his unsuccessful attempts to break with Germaine de StaAl, his desire to marry (but whom?), his presence at the deaths of Julie Talma and Isabelle de CharriA]re, and his initial lack of enthusiasm after renewing his acquaintance with Charlotte von Hardenberg.

This tenth volume of the Correspondance generale, which covers the years 1816 1818, is a valuable document on the intellectual life of the period as well as on the relations of Benjamin Constant with his friends and family, on his literary activities (particularly, during a sojourn in England, the publication of Adolphe) and on his career as publicist and champion of political and civil liberties, after his return to Paris in September 1816."

Flaubert (1821-80) is a major writer, as popular in England as he is in France, and of an enduring fascination. This book examines his responses to pictorial art, from classical to popular, Eastern to Western, traditional to modern. Rival and foil, pictorial art emerges as one of the most powerful driving forces behind his own work.