Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many ?migr? filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention. The introduction traces the development of TV noir and provides an overview and evaluation of the book's thirteen essays, each of which discusses an exemplary TV noir series. Realism, relativism, and integrity are discussed in essays on Dragnet, Naked City, The Fugitive, and Secret Agent. Existentialist themes of authenticity, nihilism, and the search for life's meaning are addressed in essays on Miami Vice, The Sopranos, Carnivale, and 24. The methods of crime scene investigation in The X-Files and CSI are examined, followed by an exploration of autonomy, selfhood, and interpretation in The Prisoner, Twin Peaks, The X-Files, and Millennium. With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right.

Tibor R. Machan, one of the most prolific and wide ranging philosophers of our time, has been known internationally for decades through his public speaking, opinion columns, and of course his scholarly writing. This collection of essays seeks to explore Machan's philosophical ideas by considering some of the basic issues with which he has been concerned throughout his long and highly productive career. The essays range from those concerned with the nature of reality and knowledge to those dealing with the nature of the political/legal order. Topics such as the character of human nature, free choice and responsibility, the justification of individual rights, and the place of justice in the contemporary welfare state-among other basic issues-are discussed in these essays. Because Machan himself dealt with questions of central importance, the essays should appeal to a wide range of interests and disciplines in philosophy and related fields. But the essays are also written by people accomplished in their own right and thus seek not only to comment on Machan, but to make their own contribution to enduring philosophical issues. The volume should be of value to both students and faculty alike.

Douglas B. Rasmussen and Douglas J. Den Uyl's recent book Norms of Liberty: A Perfectionist Basis for Non-Perfectionist Politics (Penn State University Press, 2005) is being received in philosophy and political theory as an important and original defense of liberalism. The book offers a neo-Aristotelian ethic of human flourishing as a basis for a liberal conception of human rights. One of the authors' central contentions is that a key problem for any (liberal) political philosophy is how to establish a political/legal order which in principle does not require that any one person or group's well-being be given structured preference over that of any other. This companion volume, an interpretive and critical reader, features essays from both philosophers and political scientists, as well as an omnibus reply by Rasmussen and Den Uyl. Norms of Liberty makes challenging arguments about key issues, which makes a multi-disciplinary reader a valuable asset for both students and scholars. Reading Rasmussen and Den Uyl is designed both to explicate the book's arguments and to explore possible objections.

A light-hearted introduction to philosophy through the antics of the Simpsons, television's animated family. These essays on the silly, absurd, hyper-ironic and strangely philosophical world that is Springfield - the town without a state - explore philosophy and the major philosophers of Western thought: is Bart a pragmatist? Why is Mr Burn's quest for happiness continually frustrated? The contributors discuss the thought of key philosophers including Aristotle, Marx, Camus, Sartre, Heidegger and Kant, and tackle issues like irony and the meaning of life, American anti-intellectualism, and existential rebellion. The volume also includes an episode guide and a chronology of philosophers which gives the names and dates of the major thinkers in the history of philosophy, accompanied by a representative quote from each.

Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care? Focusing on different works and varied aspects of Allen's multifaceted output, these essays explore the philosophical undertones of Anne Hall, Crimes and Misdemeanors, Manhattan, A Midsummer Night's Sex Comedy and reminds us that just because the universe is meaningless and life is pointless is no reason to commit suicide.

Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works -- Ali (2001), Miami Vice (2006), and Public Enemies (2009).

The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.