This beautiful poetry anthology offers a warm, inviting selection of poems from a wide range of voices that speak to the collective urge to grow, tend, and heal-an evocative celebration of our connection to the green world. Much like reading a good poem, caring for plants brings comfort, solace, and joy to many. In this new poetry anthology, Leaning toward Light, acclaimed poet and avid gardener Tess Taylor brings together a diverse range of contemporary voices to offer poems that celebrate that joyful connection to the natural world. Several of the most well-known contemporary writers, as well as some of poetry's exciting rising stars, contribute to this collection including Ross Gay, Jericho Brown, Mark Doty, Jane Hirshfield, Ada Limón, Danusha Laméris, Naomi Shihab Nye, Garrett Hongo, Ellen Bass, and James Crews. A foreword by Aimee Nezhukumatathil, reflective pauses and personal recipes from some of the contributing poets, along with original, whimsical illustrations by Melissa Castrillon, and a ribbon bookmark complete this stunning, hardcover gift format.

"Hands-down one of the most beautiful books of the year." -NPR From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction-a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us. As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted-no matter how awkward the fit or forbidding the landscape-she was able to turn to our world's fierce and funny creatures for guidance. "What the peacock can do," she tells us, "is remind you of a home you will run away from and run back to all your life." The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world's gifts. Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy.

A New York Times Bestseller 'Within two pages, nature writing feels different and fresh and new ... This book demands we find the eyes to see and the heart to love such things once more. It is a very fine book indeed, truly full of wonder' - James Rebanks, author of Pastoral Song 'Unusual and captivating ... a thing of wonder, the book that most took me by surprise this year' - Jini Reddy, author of Wanderland Aimee Nezhukumatathil has had many homes, but wherever she was - however awkward the fit or forbidding the landscape - she found guidance and perspective in nature. The axolotl smiles, even in the face of unkindness; the touch-me-not plant shakes off unwanted advances; the narwhal survives its hostile environment. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. Warm, lyrical and gorgeously illustrated by Fumi Mini Nakamura, this book ranges through joy and pain, encountering love, motherhood and heritage, racism and the destruction humans can wreak. In all those things, it shows that if you listen carefully, if you open your eyes wide, the world is full of wonders.

Selected by Aimee Nezhukumatathil as the winner of the A. Poulin, Jr. Poetry Prize, Danni Quintos carves a space for brown girls and weird girls in her debut collection of poems. Two Brown Dots explores what it means to be a racially ambiguous, multiethnic, Asian American woman growing up in Kentucky. In stark, honest poems, Quintos recounts the messiness and confusion of being a typical '90s kid-watching Dirty Dancing at sleepovers, borrowing eye shadow out of a friend's caboodle, crushing on a boy wearing khaki shorts to Sunday mass-while navigating the microagressions of the neighbor kids, the awkwardness of puberty, and the casual cruelties of fellow teenagers. The mixed-race daughter of a dark skinned Filipino immigrant, Quintos retells family stories and Phillipine folklore to try and make sense of an identity with roots on opposite sides of the globe. With clear-eyed candor and a wry sense of humor, Quintos teases the line between tokenism and representation, between assimilation and belonging, offering a potent antidote to the assumption that "American" means "white." Encompassing a whole journey from girlhood to motherhood, Two Brown Dots subverts stereotypes to reclaim agency and pride in the realness and rawness and unprettyness of a brown girl's body, boldly declaring: We exist, we belong, we are from here, and we will continue to be.

"I can think of no other poet-except Neruda-who has inscribed the sensual world with such accurate charm. . . . Her poems are seriously delicious: toothsome and saucy, wise and mischievous."-Alice Fulton, author of Cascade Experiment

This eagerly anticipated second collection of elegant and exuberant poems from the award-winning author of Miracle Fruit will charm and surprise. A calm and gentle wisdom wafts through Aimee Nezhukumatathil's sharp and unpretentious poetry, guiding the reader eloquently though physical and emotional scenery, shaping insight from a miscellany of images and emotions.

Nezhukumatathil uses a dark and lovely natural world as a backdrop and elemental character in her poems. Here, worms glow in the dark, lizards speak, the most delicious soup in the world turns out to be deadly, and a woman eats soil as if it were candy. At the Drive-In Volcano explodes with brazen charm, verve, and wit.

Aimee Nezhukumatathil is the author of Miracle Fruit (2003), winner of the Tupelo Press Prize awarded by Gregory Orr, the ForeWord Magazine Book of the Year Award in poetry, and the Global Filipino Award. Her poetry and essays have been widely anthologized and have appeared in Prairie Schooner, Black Warrior Review, FIELD, Mid-American Review, and Tin House. She is an associate professor of English at State University of New York Fredonia, where she has received the Hagan Scholar Award and the SUNY Chancellor's Award for Excellence in Scholarly and Creative Activities.

Writer Pam Houston once summed it up: "Nice mother-daughter stories are a dime a dozen; pain-in-the-ass mother-daughter stories are the ones that grab us." As Long as I Know You is a compelling read for any adult grappling with a living elder who might also be a pain in the ass, particularly, any reader who wants a tender take on the lethal combination of dementia and defiance. As Long as I Know You narrates Anne-Marie Oomen's journey to finally knowing her mother as well as the heartbreaking loss of her mother's immense capacities. It explores how humor and compassion grow belatedly between a mother and daughter who don't much like each other. It's a personal map to find a mother who may have been there all along, then losing her again in the time of Covid. As the millions of women like Oomen's mother reach their elder years and become the "oldest of the old," their millions of daughters (and sometimes sons) must come on board, involved in care they may welcome the way they'd welcome hitting a pothole the size of a semi. How a family makes decisions about that pothole, how care continues or does not, how possessions are addressed-really, no one wants the crockpot-and how the relationship shifts and evolves (or not), that story is universal.

Poetry. Asian American Studies. LUCKY FISH travels along a lush current--a confluence of leaping vocabulary and startling formal variety, with upwelling gratitude at its source: for love, motherhood, "new hope," and the fluid and rich possibilities of words themselves. With an exuberant appetite for "my morning song, my scurry-step, my dew," anchored in complicated human situations, this astounding young poet's third collection of poems is her strongest yet.