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This book maps the journey of the Indian poetic imagination-in
Hindi, Panjabi and Indian English-from its original quasi-spiritual
longings to its activist interventions in the public domain. As
Indian poetry of the post-1990s gravitates towards a
non-Orientalised postcolonial nationalism, it seeks to rewrite and
disseminate the shifting coordinates of nationalist imagination in
terms of the dissent of the subaltern discontents of the nation.
The book is interdisciplinary: it studies Indian poetry from the
new emerging imperatives of postcolonialism, new historiography
(subaltern, dalit and diasporas), nationalism, and cultural
studies. Covering the two major north Indian languages-Hindi and
Punjabi-along with poetry in Indian English, the book is a close
textual study of about 150 poetry collections in these languages.
It is path-breaking in its study of secular poetry written in the
so-called vernaculars, with critical attention to its participation
in the political as well as cultural processes of nation-making.
This cutting-edge book should be of interest to scholars of Indian
writings in English, Hindi and Panjabi, gender studies, dalit and
diaspora studies, postcolonial poetry and to students reading South
Asian literature and culture.
This book maps the journey of the Indian poetic imagination in
Hindi, Panjabi and Indian English from its original quasi-spiritual
longings to its activist interventions in the public domain. As
Indian poetry of the post-1990s gravitates towards a
non-Orientalised postcolonial nationalism, it seeks to rewrite and
disseminate the shifting coordinates of nationalist imagination in
terms of the dissent of the subaltern discontents of the
nation.
The book is interdisciplinary: it studies Indian poetry from the
new emerging imperatives of postcolonialism, new historiography
(subaltern, dalit and diasporas), nationalism, and cultural
studies. Covering the two major north Indian languages Hindi and
Punjabi along with poetry in Indian English, the book is a close
textual study of about 150 poetry collections in these languages.
It is path-breaking in its study of secular poetry written in the
so-called vernaculars, with critical attention to its participation
in the political as well as cultural processes of
nation-making.
This cutting-edge book should be of interest to scholars of
Indian writings in English, Hindi and Panjabi, gender studies,
dalit and diaspora studies, postcolonial poetry and to students
reading South Asian literature and culture."
Provincializing Bollywood argues that Bhojpuri cinema exemplifies
the overflow of a provincial derivative form that defies its place
in the given scheme of things. Situating it at the intersection of
vernacular media production and the infrastructural-political
reordering of provincial north India, the book shows that Bhojpuri
media's characteristic 'disobedience' is marked by a libidinal
excess - simultaneously scandalizing and moralizing - to address
the inexact calculi of Bhojpuri speaking
region's'underdevelopment'. Bhojpuri media therefore demands that
it is assessed not merely for its internal content but within the
comparative media crucible, marked by interpenetrating forms and
histories as diverse as those of ecological distress, musical
traditions, gendered segregation, real estate, urban resettlements,
and highway modernities. Foregrounding the libidinal excess,
language politics, and curatorial informalities, Provincializing
Bollywood synthesizes Bhojpuri media's spectacular public
insubordination and its invocation of a shared debt, which is by no
means regional in its provenance.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
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