One of the most powerful crime dramas of all time is hotter than ever!

This all-new 2-Disc Director's Definitive Edition of Heat features a pristine restoration personally supervised by Michael Mann, plus hours of revealing extras, including in-depth Q&As with the director as he reflects on the film two decades after its initial release.

Academy Award Winners Al Pacino and Robert De Niro square off in this ground-breaking cat-and-mouse thriller written and directed by Michael Mann as the personal lives of a brilliant thief and an obsessive L.A. cop intertwine and quickly unravel as the criminal plans his final heist. Co-starring Val Kilmer, Jon Voight, Tom Sizemore and Ashley Judd, Heat sizzles with hard-hitting action and gripping suspense.

Quentin Tarantino’s critically acclaimed new masterpiece visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton and his longtime stunt double Cliff Booth make their way around an industry they hardly recognize anymore.

The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

(Winner of 2 Academy Awards: Best Supporting Actor (Brad Pitt), Best Production Design. Also nominated for Best Picture, Best Director, Best Actor (Leonardo DiCaprio), Best Original Screenplay, Best Cinematography, Best Costume Design, Best Sound Mixing, Best Sound Editing)

The new 50-year anniversary edition of Francis Ford Coppola's master adaptation of Mario Puzo's novel chronicles the dramatic, and often violent, rise and fall of the Corleone family. Collected here on DVD for the first time is Coppola and Puzo's definitve, intended version of The Godfather saga in three distinct motion picture events: the Best Picture Oscar winners THE GODFATHER and THE GODFATHER PART II, and the acclaimed THE GODFATHER CODA: THE DEATH OF MICHAEL CORLEONE, released in 2021. It's not just essential cinema... this is an offer you can't refuse.

The Godfather
Regarded as one of the best American films ever by the American Film Institute, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar-winning role as the patriarch of the Corleone family. The Godfather is a violent and chilling portrait of the Sicilian family's struggle to stay in power in a post-war America of corruption, deceit and betrayal. Coppola begins his legendary trilogy, masterfully balancing the story of the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Caan and Robert Duvall, this searing and brilliant film garnered ten Academy Award nominations, and won three including Best Picture of 1972.

The Godfather: Part II
In what is undeniably one of the best sequels ever made, Francis Ford Coppola continues his epic Godfather trilogy with this saga of two generations of power within the Corleone family. Coppola, working once again with the author Mario Puzo, crafts two interwoven stories that work as both prequel and sequel to the original. One shows the humble Sicilian beginnings and New York rise of a young Don Vito, now played in an Oscar-winning performance for Best Supporting Actor by Robert De Niro. The other shows the ascent of Michael (Al Pacino) as the new Don. Reassembling many of the cast members who helped make The Godfather, Coppola has produced a movie of staggering magnitude and vision; the film received eleven Academy Awards nominations, winning six including Best Picture of 1974.

The Godfather Coda: The Death Of Michael Corleone (New version of The Godfather: Part III)
Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy - Mario Puzo's THE GODFATHER Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of The Godfather: Part III, and delivers, in the words of Coppola,"a more appropriate conclusion to The Godfather and The Godfather: Part II."

Al Pacino and Greta Gerwig star in this comedy drama adapted from Philip Roth's novel 'The Humbling'. Ageing actor Simon Axler (Pacino) is suffering from mental health problems and, with his once-successful career in decline, he considers suicide. He finds a new lease of life when he encounters Pegeen (Gerwig), a much younger gay woman who is the daughter of his friends, and the two embark on an unlikely affair. As their relationship develops Axler is given the opportunity to return to the stage, but can he successfully revive his career?

From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

But Pacino was in his mid thirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe.

Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.

For more than a quarter century, Al Pacino has spoken freely and deeply with acclaimed journalist and bestselling author Lawrence Grobel on subjects as diverse as childhood, acting, and fatherhood. Here, for the first time, are the complete conversations and shared observations between the actor and the writer; the result is an intimate and revealing look at one of the most accomplished, and private, artists in the world.

Pacino grew up sharing a three-room apartment in the Bronx with nine people in what he describes as his "New York Huckleberry Finn" childhood. Raised mostly by his grandparents and his mother, Pacino began drinking at age thirteen. Shortly after he was admitted to the renowned High School for Performing Arts, his classmates nicknamed him "Marlon," after Marlon Brando, even though Pacino didn't know who Brando was. Renowned acting coach Charlie Laughton saw Pacino when he was nineteen in the stairwell of a Bronx tenement, and the first words out of Laughton's mouth were "You are going to be a star." And so began a fabled, lifelong friendship that nurtured Al through years of not knowing where his next meal would come from until finally -- at age twenty-six -- he landed his first salaried acting job.

Grobel and Pacino leave few stones unturned, touching on the times when Pacino played piano in jazz clubs until four a.m. before showing up on the set of Scarecrow a few hours later for a full day's work; when he ate Valium like candy at the Academy Awards; and when he realized he had been in a long pattern of work and drink.

As the pivotal character in "The Godfather" trilogy and the cult classic "Scarface," Pacino has enshrined himself in film history. He's worked with most of Hollywood's brightest luminaries such as Francis Ford Coppola, Sidney Lumet, Michael Mann, Norman Jewison, Brian De Palma, Marlon Brando, Robert De Niro, Gene Hackman, Sean Penn, Johnny Depp, Michelle Pfeiffer, Hilary Swank, and Robin Williams, among many others. He was nominated for eight Academy Awards before winning the Oscar for Best Actor for his role in "Scent of a Woman." Pacino still seems to prefer his work onstage to film and, if he's moved by a script or play, is quick to take parts in independent productions.

"Al Pacino" is an intensely personal window into the life of an artist concerned more with the process of his art than with the fruits of his labor, a creative genius at the peak of his artistic powers who, after all these years, still longs to grow and learn more about his craft. And, for now, it's as close to a memoir as we're likely to get.

Martin Scorsese’s cinematic mastery is on full display in this sweeping crime saga, which serves as an elegiac summation of his six-decade career.

Left behind by the world, former hit man and union truck driver Frank Sheeran (Robert DeNiro) looks back from a nursing home on his life’s journey through the ranks of organized crime: from his involvement with Philadelphia mob boss Russell Bufalino (Joe Pesci) to his association with Teamsters union head Jimmy Hoffa (Al Pacino) to the rift that forced him to choose between the two.

An intimate story of loyalty and betrayal writ large across the epic canvas of mid-twentieth-century American history, The Irishman (based on the real-life Sheeran’s confessions, as told to writer Charles Brandt for the book I Heard You Paint Houses) is a uniquely reflective late-career triumph that balances its director’s virtuoso set pieces with a profoundly personal rumination on aging, mortality, and the decisions and regrets that shape a life.

(Nominated for 10 Academy Awards: Best Picture, Best Director, Best Actor (Al Pacino), Best Supporting Actor (Joe Pesci), Best Adapted Screenplay, Best Cinematography, Best Costume Design, Best Production Design, Best Film Editing, Best Visual Effects)

From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full.

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

But Pacino was in his midthirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe.

Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.

Martin Scorsese’s cinematic mastery is on full display in this sweeping crime saga, which serves as an elegiac summation of his six-decade career.

Left behind by the world, former hit man and union truck driver Frank Sheeran (Robert DeNiro) looks back from a nursing home on his life’s journey through the ranks of organized crime: from his involvement with Philadelphia mob boss Russell Bufalino (Joe Pesci) to his association with Teamsters union head Jimmy Hoffa (Al Pacino) to the rift that forced him to choose between the two.

An intimate story of loyalty and betrayal writ large across the epic canvas of mid-twentieth-century American history, The Irishman (based on the real-life Sheeran’s confessions, as told to writer Charles Brandt for the book I Heard You Paint Houses) is a uniquely reflective late-career triumph that balances its director’s virtuoso set pieces with a profoundly personal rumination on aging, mortality, and the decisions and regrets that shape a life.

New York cop Frank Keller (Al Pacino) is divorced, disenchanted and coming close to retirement. A serial killer strikes in the city, attacking men in their bedrooms and it would seem that a woman using the personal ads is responsible. Keller teams up with fellow cop Sherman (John Goodman), who has also had a serial killer operating on his patch, and together they dream up the idea of placing their own advertisements in the personal columns, dating the women and collecting their fingerprints. One woman who answers the ad is the beautiful and seductive Helen (Ellen Barkin). Frank falls heavily for her and against his better judgement begins an affair with the prime suspect.

A man (Al Pacino) stages a bank robbery so that his homosexual lover can pay for a sex-change operation. He bungles the robbery and is caught up in a stand-off with police, bargaining with the lives of his hostages. The event soon gets television coverage and the hostages begin to get friendly with their kidnappers, while their attempts to bargain are bungled all the way. Directed by Sidney Lumet.

Hot-shot defence attorney Kevin Lomax (Keanu Reeves) seems to have landed on his feet when he is poached by an international law firm in New York. Lomax is welcomed by the charismatic John Milton (Al Pacino), who seems to take an especially close interest in his young employee's career. Meanwhile, Lomax's wife Mary-Ann (Charlize Theron) suffers a breakdown, believing that she is losing her husband to a dark and powerful force.

Sprung from prison on a legal technicality by his cocaine-addled attorney (Sean Penn), former drug kingpin Carlito Brigante (Pacino) stuns the local underworld when he vows to go straight. Taking a job managing a glitzy, low-life nightclub, he tracks down his onetime girlfriend (Penelope Ann Miller) and rekindles their romance, promising he's changed for good.

But Carlito's dream of going legitimate is undermined at every turn by murderous former cronies and even deadlier young thugs out to make a name for themselves. Ultimately, however, his most dangerous enemy is himself. Despite good intentions, Carlito's misguided loyalties and an outmoded code of 'honour' will plunge him into a savage life-or-death battle against the relentless forces that refuse to let him go.

A man (Al Pacino) stages a bank robbery so that his homosexual lover can pay for a sex-change operation. He bungles the robbery and is caught up in a stand-off with police, bargaining with the lives of his hostages. The event soon gets television coverage and the hostages begin to get friendly with their kidnappers, while their attempts to bargain are bungled all the way. Directed by Sidney Lumet.

Not only is Al Pacino known as 'one of the greatest actors in all of film history', he is also considered 'one of Hollywood's most notorious bachelors' (imdb.com) as well as being one of the most enigmatic and private celebrities in the world. For the first time, AL PACINO offers a deeply personal and revealing window into everything from his growing up in the South Bronx, where he shared three rooms with nine people, to his fabled studies with Charles Laughton and Lee Strasberg, his father's absence, his mother's early death, and how he bounced through a series of odd jobs until his first paid role at the age of 26. He reveals his childhood dream of becoming a professional baseball player, describes his first drink at 13, and admits his once ate Valium like popcorn at the Academy Awards. Though he has been involved with women like Diane Keaton and Beverly D'Angelo, the mother of his three children, he has never married and here reveals why, and how his feelings have changed. Through it all, he has delivered some of the most seminal performances in film and theatre history and worked with most of its biggest stars. He was nominated for seven Academy Awards before winning Best Actor Oscar for Scent of a Woman. AL PACINO is an intensely personal look at a creative genius at the peak of his powers who, after all these years, still longs to learn more about his art. And for now, it's a close to a memoir as we are likely to get.

Serpico is based on the true story of a New York policeman who discovers that honesty is not expected to be part of his job. He endures scorn and mistreatment from his fellow cops while attempting to perform his job with integrity.

The character of Serpico, combining the best elements of the Establishment and counter-culture, is a tour-de-force for Pacino.

The film is a breathtaking suspense story and a fascinating character study as well as a memorable statement about government's inherent flaws.

Michael Mann directs this thriller starring Robert De Niro and Al Pacino. Thief Neil McCauley (De Niro) and policeman Vincent Hanna (Pacino), both obsessed with their professions and determined to achieve big things, find themselves caught in a cat and mouse chase as McCauley sets plans in motion for one last heist before his retirement. When Hanna gets assigned to the case of the notorious thief, he dedicates himself to making McCauley's arrest the pinnacle of his career. The all-star cast also includes Val Kilmer, Tom Sizemore and Jon Voight.

Al Pacino and Greta Gerwig star in this comedy drama adapted from Philip Roth's novel 'The Humbling'. Ageing actor Simon Axler (Pacino) is suffering from mental health problems and, with his once-successful career in decline, he considers suicide. He finds a new lease of life when he encounters Pegeen (Gerwig), a much younger gay woman who is the daughter of his friends, and the two embark on an unlikely affair. As their relationship develops Axler is given the opportunity to return to the stage, but can he successfully revive his career?

Academy Award Winner Al Pacino, gives a powerful performance as veteran 60 minutes producer Lowell Bergman, and Russell Crowe co-stars as the ultimate insider, former tobacco executive Dr. Jeffery Wigand. When Wigand is fired by his employer - one of the largest tobacco companies in America - he agrees to become a paid consultant for a story Bergman is working on regarding alleged unethical practices within the tobacco industry. But what begins as a temporary alliance leads to a lengthy battle for both men to save their reputations, and much, much more.As they soon find out, Corporate America will use all legal means at their disposal to save a billion dollar a year habit. And as the corporate giants soon find out, Bergman and Wigand are honorable men, driven to smoke out the evidence. Also starring Christopher Plummer as anchor Mike Wallace and Gina Gershon, The Insider will chill you with its cold, hard edge and thrill you with its unbelievable twists and turns.

Francis Ford Coppola directs this Oscar-winning crime drama starring Al Pacino and Robert De Niro. It is 1958 and Michael Corleone (Pacino) has now fully embraced the trappings of a Mafia boss, leading to conflict with his wife, Kay (Diane Keaton). As he attempts to expand his crime empire, he thinks of his late father Vito (De Niro)'s rise to power in New York during the 1920s, but all of Michael's attempts to emulate Vito and do the best for his family only pulls them further apart. Both a prequel and sequel to 'The Godfather' (1972), the film was nominated for eleven Oscars, winning five awards including Best Picture, Best Director and Best Supporting Actor (De Niro).

Francis Ford Coppola directs and co-writes this epic crime drama based on the novel by Mario Puzo. In late 1940s New York, Mafia 'Godfather' Vito Corleone (Marlon Brando) gathers his three sons around him for daughter Connie (Talia Shire)'s wedding; the hot-headed Sonny (James Caan), ineffectual Fredo (John Cazale) and war hero Michael (Al Pacino), who chooses to distance himself from the family 'business'. When Vito is shot and wounded for refusing to sanction a rival family's heroin sales on his territory, Sonny temporarily takes over and embarks on bloody gang warfare. This results in him being killed in an ambush, and Michael finds himself nominated to succeed the ailing Vito. The film won three Academy Awards, including Best Picture, Best Actor for Brando and Best Adapted Screenplay, and was followed by two sequels.

The Blues Brothers
Brothers Jake and Elwood lend a hand when the church orphanage in which they were raised is threatened with closure. Resolving to get their old band together and stage a fund-raising gig, the brothers must overcome a number of unexpected obstacles along the way.

An American Werewolf In London
American students David Kessler and Jack Goodman are spending their holidays backpacking around England. After becoming lost on the moors, they are attacked by a savage animal. Jack is killed, but when David wakes in a London hospital weeks later he is horrified to receive a visit from the rotting corpse of an undead Jack, who informs him that the creature which attacked them was in fact a werewolf. Unless David kills himself, he will fall prey to the monster's curse at the next full moon.

Scarface
The story of up-and-coming gangster Tony Montana after he arrives in Miami as a Cuban refugee. With his friend Manny, Tony carries out a hit on a politician, earning him the gratitude of drug dealer Frank Lopez. Tony rises rapidly in the organisation, but courts disaster when he becomes involved with Frank's cocaine-addicted wife, Elvira.

The Thing
A research team in the Antarctic is terrorised by a shape-changing monster following the discovery of an alien spaceship deep beneath the ice. Unsure of who is alive and who has been assimilated by the creature, R.J. MacReady and the rest of his men face a desperate battle to survive.