From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full.

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

But Pacino was in his midthirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe.

Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.

Al Pacino and Greta Gerwig star in this comedy drama adapted from Philip Roth's novel 'The Humbling'. Ageing actor Simon Axler (Pacino) is suffering from mental health problems and, with his once-successful career in decline, he considers suicide. He finds a new lease of life when he encounters Pegeen (Gerwig), a much younger gay woman who is the daughter of his friends, and the two embark on an unlikely affair. As their relationship develops Axler is given the opportunity to return to the stage, but can he successfully revive his career?

From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

But Pacino was in his mid thirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe.

Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.

She is the ultimate director's fantasy. Unlike her flesh and blood colleagues, she won't get old, won't gain an ounce. She doesn't have an agent, manager or entourage. She doesn't need a body double. She has no problem with nudity. She's programmed to love any script she's offered. She's not interested in money. The only power she craves comes from an electrical outlet.

Viktor (AI Pacino) is a down and out director who just lost his last shot at a comeback when his temperamental flesh and blood actress walked off his movie Sunrise, Sunset. When she left, so did Viktor's self-respect. But then computer genius Hank shows up... Hank bequeaths an amazing software program to Viktor that will change his life forever: Simulation One. Just a few key strokes and an overnight sensation is born: S1MONE.

Suddenly, Viktor has a taste of the success he always craved and the world's most beloved, beautiful and sexy star under his thumb..

For more than a quarter century, Al Pacino has spoken freely and deeply with acclaimed journalist and bestselling author Lawrence Grobel on subjects as diverse as childhood, acting, and fatherhood. Here, for the first time, are the complete conversations and shared observations between the actor and the writer; the result is an intimate and revealing look at one of the most accomplished, and private, artists in the world.

Pacino grew up sharing a three-room apartment in the Bronx with nine people in what he describes as his "New York Huckleberry Finn" childhood. Raised mostly by his grandparents and his mother, Pacino began drinking at age thirteen. Shortly after he was admitted to the renowned High School for Performing Arts, his classmates nicknamed him "Marlon," after Marlon Brando, even though Pacino didn't know who Brando was. Renowned acting coach Charlie Laughton saw Pacino when he was nineteen in the stairwell of a Bronx tenement, and the first words out of Laughton's mouth were "You are going to be a star." And so began a fabled, lifelong friendship that nurtured Al through years of not knowing where his next meal would come from until finally -- at age twenty-six -- he landed his first salaried acting job.

Grobel and Pacino leave few stones unturned, touching on the times when Pacino played piano in jazz clubs until four a.m. before showing up on the set of Scarecrow a few hours later for a full day's work; when he ate Valium like candy at the Academy Awards; and when he realized he had been in a long pattern of work and drink.

As the pivotal character in "The Godfather" trilogy and the cult classic "Scarface," Pacino has enshrined himself in film history. He's worked with most of Hollywood's brightest luminaries such as Francis Ford Coppola, Sidney Lumet, Michael Mann, Norman Jewison, Brian De Palma, Marlon Brando, Robert De Niro, Gene Hackman, Sean Penn, Johnny Depp, Michelle Pfeiffer, Hilary Swank, and Robin Williams, among many others. He was nominated for eight Academy Awards before winning the Oscar for Best Actor for his role in "Scent of a Woman." Pacino still seems to prefer his work onstage to film and, if he's moved by a script or play, is quick to take parts in independent productions.

"Al Pacino" is an intensely personal window into the life of an artist concerned more with the process of his art than with the fruits of his labor, a creative genius at the peak of his artistic powers who, after all these years, still longs to grow and learn more about his craft. And, for now, it's as close to a memoir as we're likely to get.

After 30 years as partners in the pressure cooker environment of the NYPD, highly decorated Detectives David Fisk and Thomas Cowan should be ready for retirement, but aren’t. Before they can hang up their badges, they are called in to investigate the murder of a notorious pimp, which appears to have ties to a case they solved years before.

Like the original murder, the victim is a suspected criminal whose body is found accompanied by a four line poem justifying the killing. When additional crimes take place, it becomes clear the detectives are looking for a serial killer, one who targets criminals that have fallen through the cracks of the judicial system. His mission is to do what the cops can’t do on their own—take the culprits off the streets for good.

The similarities between the recent killings and their earlier case raise a nagging question: Did they put the wrong man behind bars?

Old-timer gangster comedy starring Academy Award winners Al Pacino and Christopher Walken. Aging gangster Val (Pacino) is picked up by his old friend and partner Doc (Walken) as he is released from prison after serving a 28-year sentence for refusing to snitch on another associate. The two reflect on the times they've spent together before deciding to break their other partner (Alan Arkin) out of a retirement home to reunite the whole gang. In an attempt to relive their glory days they steal a car and wind up at a nearby brothel, but as time progresses they learn that one of them is holding a secret and there may be one last job on the cards...