Inspired by the shocking true story of the family behind the Italian fashion empire.

When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately… murder.

Academy Award nominee:
- Best Makeup & Hairstyling

Quentin Tarantino’s critically acclaimed new masterpiece visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton and his longtime stunt double Cliff Booth make their way around an industry they hardly recognize anymore.

The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

(Winner of 2 Academy Awards: Best Supporting Actor (Brad Pitt), Best Production Design. Also nominated for Best Picture, Best Director, Best Actor (Leonardo DiCaprio), Best Original Screenplay, Best Cinematography, Best Costume Design, Best Sound Mixing, Best Sound Editing)

Al Pacino and Greta Gerwig star in this comedy drama adapted from Philip Roth's novel 'The Humbling'. Ageing actor Simon Axler (Pacino) is suffering from mental health problems and, with his once-successful career in decline, he considers suicide. He finds a new lease of life when he encounters Pegeen (Gerwig), a much younger gay woman who is the daughter of his friends, and the two embark on an unlikely affair. As their relationship develops Axler is given the opportunity to return to the stage, but can he successfully revive his career?

From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

But Pacino was in his mid thirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe.

Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.

Martin Scorsese’s cinematic mastery is on full display in this sweeping crime saga, which serves as an elegiac summation of his six-decade career.

Left behind by the world, former hit man and union truck driver Frank Sheeran (Robert DeNiro) looks back from a nursing home on his life’s journey through the ranks of organized crime: from his involvement with Philadelphia mob boss Russell Bufalino (Joe Pesci) to his association with Teamsters union head Jimmy Hoffa (Al Pacino) to the rift that forced him to choose between the two.

An intimate story of loyalty and betrayal writ large across the epic canvas of mid-twentieth-century American history, The Irishman (based on the real-life Sheeran’s confessions, as told to writer Charles Brandt for the book I Heard You Paint Houses) is a uniquely reflective late-career triumph that balances its director’s virtuoso set pieces with a profoundly personal rumination on aging, mortality, and the decisions and regrets that shape a life.

(Nominated for 10 Academy Awards: Best Picture, Best Director, Best Actor (Al Pacino), Best Supporting Actor (Joe Pesci), Best Adapted Screenplay, Best Cinematography, Best Costume Design, Best Production Design, Best Film Editing, Best Visual Effects)

For more than a quarter century, Al Pacino has spoken freely and deeply with acclaimed journalist and bestselling author Lawrence Grobel on subjects as diverse as childhood, acting, and fatherhood. Here, for the first time, are the complete conversations and shared observations between the actor and the writer; the result is an intimate and revealing look at one of the most accomplished, and private, artists in the world.

Pacino grew up sharing a three-room apartment in the Bronx with nine people in what he describes as his "New York Huckleberry Finn" childhood. Raised mostly by his grandparents and his mother, Pacino began drinking at age thirteen. Shortly after he was admitted to the renowned High School for Performing Arts, his classmates nicknamed him "Marlon," after Marlon Brando, even though Pacino didn't know who Brando was. Renowned acting coach Charlie Laughton saw Pacino when he was nineteen in the stairwell of a Bronx tenement, and the first words out of Laughton's mouth were "You are going to be a star." And so began a fabled, lifelong friendship that nurtured Al through years of not knowing where his next meal would come from until finally -- at age twenty-six -- he landed his first salaried acting job.

Grobel and Pacino leave few stones unturned, touching on the times when Pacino played piano in jazz clubs until four a.m. before showing up on the set of Scarecrow a few hours later for a full day's work; when he ate Valium like candy at the Academy Awards; and when he realized he had been in a long pattern of work and drink.

As the pivotal character in "The Godfather" trilogy and the cult classic "Scarface," Pacino has enshrined himself in film history. He's worked with most of Hollywood's brightest luminaries such as Francis Ford Coppola, Sidney Lumet, Michael Mann, Norman Jewison, Brian De Palma, Marlon Brando, Robert De Niro, Gene Hackman, Sean Penn, Johnny Depp, Michelle Pfeiffer, Hilary Swank, and Robin Williams, among many others. He was nominated for eight Academy Awards before winning the Oscar for Best Actor for his role in "Scent of a Woman." Pacino still seems to prefer his work onstage to film and, if he's moved by a script or play, is quick to take parts in independent productions.

"Al Pacino" is an intensely personal window into the life of an artist concerned more with the process of his art than with the fruits of his labor, a creative genius at the peak of his artistic powers who, after all these years, still longs to grow and learn more about his craft. And, for now, it's as close to a memoir as we're likely to get.

From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full.

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

But Pacino was in his midthirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe.

Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.

Martin Scorsese’s cinematic mastery is on full display in this sweeping crime saga, which serves as an elegiac summation of his six-decade career.

Left behind by the world, former hit man and union truck driver Frank Sheeran (Robert DeNiro) looks back from a nursing home on his life’s journey through the ranks of organized crime: from his involvement with Philadelphia mob boss Russell Bufalino (Joe Pesci) to his association with Teamsters union head Jimmy Hoffa (Al Pacino) to the rift that forced him to choose between the two.

An intimate story of loyalty and betrayal writ large across the epic canvas of mid-twentieth-century American history, The Irishman (based on the real-life Sheeran’s confessions, as told to writer Charles Brandt for the book I Heard You Paint Houses) is a uniquely reflective late-career triumph that balances its director’s virtuoso set pieces with a profoundly personal rumination on aging, mortality, and the decisions and regrets that shape a life.

New York cop Frank Keller (Al Pacino) is divorced, disenchanted and coming close to retirement. A serial killer strikes in the city, attacking men in their bedrooms and it would seem that a woman using the personal ads is responsible. Keller teams up with fellow cop Sherman (John Goodman), who has also had a serial killer operating on his patch, and together they dream up the idea of placing their own advertisements in the personal columns, dating the women and collecting their fingerprints. One woman who answers the ad is the beautiful and seductive Helen (Ellen Barkin). Frank falls heavily for her and against his better judgement begins an affair with the prime suspect.

Sidney Lumet's 1973 crime drama Serpico remains one of the most influential cop movies - alongside Al Pacino's nuanced performance in a disturbing portrait of corruption and morality in the city that never sleeps.

A plainclothes street patrolman, Frank Serpico (Pacino) might be the best cop in New York, but he is unwilling to play dirty and give into police corruption of drugs, violence, and kickbacks his colleagues indulge in every day. When he decides to expose those around him, Frank finds himself a target, not just to the city's criminals, but his own peers.

Shot on location and based on real events, Serpico captures the grit of New York in a way no film has rivalled, not just for its toned down realism, but also the bleakness Lumet portrays within his hometown city with brutal cynicism with frank immediacy.

A man (Al Pacino) stages a bank robbery so that his homosexual lover can pay for a sex-change operation. He bungles the robbery and is caught up in a stand-off with police, bargaining with the lives of his hostages. The event soon gets television coverage and the hostages begin to get friendly with their kidnappers, while their attempts to bargain are bungled all the way. Directed by Sidney Lumet.

Sprung from prison on a legal technicality by his cocaine-addled attorney (Sean Penn), former drug kingpin Carlito Brigante (Pacino) stuns the local underworld when he vows to go straight. Taking a job managing a glitzy, low-life nightclub, he tracks down his onetime girlfriend (Penelope Ann Miller) and rekindles their romance, promising he's changed for good.

But Carlito's dream of going legitimate is undermined at every turn by murderous former cronies and even deadlier young thugs out to make a name for themselves. Ultimately, however, his most dangerous enemy is himself. Despite good intentions, Carlito's misguided loyalties and an outmoded code of 'honour' will plunge him into a savage life-or-death battle against the relentless forces that refuse to let him go.

Hot-shot defence attorney Kevin Lomax (Keanu Reeves) seems to have landed on his feet when he is poached by an international law firm in New York. Lomax is welcomed by the charismatic John Milton (Al Pacino), who seems to take an especially close interest in his young employee's career. Meanwhile, Lomax's wife Mary-Ann (Charlize Theron) suffers a breakdown, believing that she is losing her husband to a dark and powerful force.

Not only is Al Pacino known as 'one of the greatest actors in all of film history', he is also considered 'one of Hollywood's most notorious bachelors' (imdb.com) as well as being one of the most enigmatic and private celebrities in the world. For the first time, AL PACINO offers a deeply personal and revealing window into everything from his growing up in the South Bronx, where he shared three rooms with nine people, to his fabled studies with Charles Laughton and Lee Strasberg, his father's absence, his mother's early death, and how he bounced through a series of odd jobs until his first paid role at the age of 26. He reveals his childhood dream of becoming a professional baseball player, describes his first drink at 13, and admits his once ate Valium like popcorn at the Academy Awards. Though he has been involved with women like Diane Keaton and Beverly D'Angelo, the mother of his three children, he has never married and here reveals why, and how his feelings have changed. Through it all, he has delivered some of the most seminal performances in film and theatre history and worked with most of its biggest stars. He was nominated for seven Academy Awards before winning Best Actor Oscar for Scent of a Woman. AL PACINO is an intensely personal look at a creative genius at the peak of his powers who, after all these years, still longs to learn more about his art. And for now, it's a close to a memoir as we are likely to get.

Ocean's Eleven
Three casinos. Eleven guys. $150 million. No problem. Danny Ocean likes his chances. All he asks is that his handpicked squad of 10 grifters and cons play the game like they have nothing to lose. If all goes right, the payoff will be a fat $150 million. Divided by 11. You do the maths.

Ocean's Twelve
It's been three years since Danny Ocean and his crew pulled off one of the most audacious and lucrative heists in history, robbing ruthless entrepreneur Terry Benedict of every dime stored in his impenetrable Las Vegas vault. After splitting the cash, each of the infamous Ocean's crew have tried to go straight, lay low and live a legit life... but that's proven to be a challenge. And when someone breaks Rule Number One and rats them out to Benedict, going straight is no longer an option...

Ocean's Thirteen
What are the odds of getting even? Danny Ocean and the gang are going back to Vegas and this time there's only one reason to pull-off their most ambitious and risky casino heist - to defend one of their own. When ruthless casino owner Willy Bank double-crosses one of the Eleven - Danny and the gang see if they can break "The Bank."

Life is a contact sport and football is life when three-time Academy Award winning filmmaker Oliver Stone and a dynamic acting ensemble explore the fortunes of the Miami Sharks in Any Given Sunday.

At the 50-yard line of this gridiron cosmos is Al Pacino as Tony D'Amato, the embattled Sharks coach facing a full-on blitz of team strife plus a new, marketing-savvy Sharks owner who's sure Tony is way too old-school.

An injured quarterback, a flashy, bull-headed backup QB, a slithery team doctor and a running back with an incentive-laden contract also provide some of the stories that zigzag like diagrams in a playbook.