THE SUNDAY TIMES BESTSELLER AND WATERSTONES BEST BOOK OF 2022 'Sparklingly sardonic ... There really is no one like Bennett' Independent 'Filled with elegiac memories and literary gossip ... a major National Treasure' Lynn Barber 4 March. HMQ pictured in the paper at an investiture wearing gloves, presumably as a precaution against Coronavirus. But not just gloves; these are almost gauntlets. I hope they're not the thin end of a precautionary wedge lest Her Majesty end up swathed in protective get-up such as is worn at the average crime scene. 20 March. With Rupert now working from home my life is much easier, as I get regular cups of tea and a lovely hot lunch. A year in and out of lockdown as experienced by Alan Bennett. The diary takes us from the filming of Talking Heads to thoughts on Boris Johnson, from his father's short-lived craze for family fishing trips, to stair lifts, junk shops of old, having a haircut, and encounters on the local park bench. A lyrical afterword describes the journey home to Yorkshire from King's Cross station via fish and chips on Quebec Street, past childhood landmarks of Leeds, through Coniston Cold, over the infant River Aire, and on.

Alan Bennett's A Life Like Other People's is a poignant family memoir offering a portrait of his parents' marriage and recalling his Leeds childhood, Christmases with Grandma Peel, and the lives, loves and deaths of his unforgettable aunties Kathleen and Myra. Bennett's powerful account of his mother's descent into depression and later dementia comes hand in hand with the uncovering of a long-held tragic secret. A heartrending and at times irresistibly funny work of autobiography by one of the best-loved English writers alive today.

***Available for pre-order now*** The gorgeous, pocket-sized edition of the two brand-new Talking Heads ***As seen on BBC1 and iPlayer*** 'Given the opportunity to revisit the characters from Talking Heads I've added a couple more, both of them ordinary women whom life takes by surprise. They just about end up on top and go on, but without quite knowing how. Still, they're in good company, and at least they've made it into print.' Alan Bennett's twelve Talking Heads are acknowledged masterworks by one of our most highly acclaimed writers. Some thirty years after the original six, Bennett has written Two Besides, a pair of monologues. Each, in its way, is a devastating portrait of grief. In An Ordinary Woman, a mother suffers the inevitable consequences when she makes life intolerable for herself and her family by falling for her own flesh and blood; while The Shrine tells the story behind a makeshift roadside shrine, introducing us to Lorna, bearing witness in her high-vis jacket, the bereft partner of a dedicated biker with a surprising private life. The two new Talking Heads were recorded for the BBC during the exceptional circumstances of coronavirus lockdown in the spring of 2020, directed by Nicholas Hytner and performed by Sarah Lancashire and Monica Dolan. The book contains a substantial preface by Nicholas Hytner and an introduction to each, by Alan Bennett.

Writing Home brings together Alan Bennett's diaries for 1980-1995, with reminiscences and reviews, the diary he kept during the production of his very first play, Forty Years On, which starred John Gielgud, together with hilarious accounts of his many television plays, notably An Englishman Abroad and A Private Function. At the heart of the book is The Lady in the Van, the true account of Miss Mary Shepherd, a homeless tramp who took up residence in Bennett's garden and stayed for fifteen years. From his now-legendary address at Russell Harty's memorial service to recollections of growing up in Leeds,Writing Home gives us a unique and unforgettable portrait of one of England's leading playwrights. Untold Stories contains new unpublished diaries, as well as a poignant memoir of his family and of growing up in Leeds, together with his much celebrated diary for the years 1996-2004,and numerous other exceptional essays, reviews and comic pieces. Since the success of Beyond the Fringe in the 1960s Alan Bennett has delighted audiences worldwide with his gentle humour and wry observations about life. His many works include Forty Years On, The Lady in the Van, Talking Heads, A Question of Attribution and The Madness of George III. Bennett's most recent play, The History Boys, opened to great acclaim at at the National in 2004, and is winner of the Evening Standard Award, the South Bank Award and the Critics' Circle Award for Best New Play. It came to Sydney in March 2006 and was also made into a hugely successful feature film.

What would happen if the Queen became a reader of taste and discernment rather than of Dick Francis? The answer is a perfect story. The Uncommon Reader is none other than HM the Queen who drifts accidentally into reading when her corgis stray into a mobile library parked at Buckingham Palace. She reads widely ( JR Ackerley, Jean Genet, Ivy Compton Burnett and the classics) and intelligently. Her reading naturally changes her world view and her relationship with people like the oleaginous prime minister and his repellent advisers. She comes to question the prescribed order of the world and loses patience with much that she has to do. In short, her reading is subversive. The consequence is, of course, surprising, mildly shocking and very funny.

Writers like to elude their public, lead them a bit of a dance. They take them down untrodden paths, land them in unknown country where they have to ask for directions. In this personal anthology, Alan Bennett has chosen over seventy poems by six well-loved poets, discussing the writers and their verse in his customary conversational style through anecdote, shrewd appraisal and spare but telling biographical detail. Ranging from hidden treasures to famous poems, this is a collection for the beginner and the expert alike. Speaking with candour about his own reactions to the work, Alan Bennett creates profound and witty portraits of Thomas Hardy, A. E. Housman, John Betjeman, W. H. Auden, Louis MacNeice and Philip Larkin, all the more enjoyable for being in his own particular voice. Anybody writing poetry in the thirties had somehow to come to terms with Auden. Auden, you see, had got a head start on the other poets. He'd got into the thirties first, like someone taking over the digs.

Designed to meet the requirements for students at GCSE and A level, this accessible educational edition offers the complete text of The History Boys with a comprehensive study guide. Highlights of Andrew Bruff's guide include: - detailed analyses of character, theme and structure; - a clear introduction to the context of the play and its author; - key quotations and activities both for the student working alone and in the classroom. An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool. In Alan Bennett's award-winning and hugely popular play, staffroom rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it, about education and its purpose.

Here, at last, is the astonishing sequel to Alan Bennett's classic Writing Home, updated for paperback. Untold Stories contains significant previously unpublished work, including a poignant memoir of his family and of growing up in Leeds, together with his much celebrated diary for the years 1996-2004, and numerous other exceptional essays, reviews and comic pieces. Bennett, as always, is both amusing and poignant, whether he's discussing his modest childhood or his work with figures such as Maggie Smith, Thora Hird and John Gielgud. Since the success of Beyond the Fringe in the 1960s Alan Bennett has delighted audiences worldwide with his gentle humour and wry observations about life. His many works include Forty Years On, The Lady in the Van, Talking Heads, A Question of Attribution and The Madness of King George. The History Boys opened to great acclaim at the National in 2004, and is winner of the Evening Standard Award, the South Bank Award and the Critics' Circle Award for Best New Play. Untold Stories is published jointly with Profile Books.

- What were you in life? - In life, as you put it, I was a schoolmaster. The Beth, an old fashioned cradle-to-grave hospital serving a town on the edge of the Pennines, is threatened with closure as part of an NHS efficiency drive. As Dr Valentine and Sister Gilchrist attend to the patients, a documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward. Meanwhile, the old people's choir, in readiness for next week's concert, is in full swing, augmented by the arrival of Mrs Maudsley, aka Pudsey Nightingale. Alan Bennett's Allelujah! opened at the Bridge Theatre, London, in July 2018. With an introduction by Alan Bennett.

Already a bestseller, this is a wonderfully entertaining collection of Alan Bennett's prose writings. Writing Home brings together diaries, reminiscences and reviews to give us a unique and unforgettable portrait of one of England's leading playwrights. As a memoir it covers the production of his very first play, Forty Years On, which starred John Gieldgud, as well as many other important productions. His television series 'Talking Heads' has become a modern-day classic; as part of the 1960s revue 'Beyond the Fringe' Bennett helped to kick-start the English satire revolution, and has since remained one of our leading dramatists, most recently with The History Boys at the National Theatre. At the heart of the book is The Lady in The Van, since adapted into a radio play featuring Dame Maggie Smith. It is the true account of Miss Mary Shepherd, a homeless tramp who took up residence in Bennett's garden and stayed for fifteen years. This new edition also includes Bennett's introduction to his Oscar-nominated screenplay for The Madness of King George and his more recent diaries.

'I seem to have banged on this year rather more than usual. I make no apology for that, nor am I nervous that it will it make a jot of difference. I shall still be thought to be kindly, cosy and essentially harmless. I am in the pigeon-hole marked 'no threat' and did I stab Judi Dench with a pitchfork I should still be a teddy bear.'

Alan Bennett's third collection of prose Keeping On Keeping On follows in the footsteps of the phenomenally successful Writing Home and Untold Stories, each published ten years apart. This latest collection contains Bennett's peerless diaries 2005 to 2015, reflecting on a decade that saw four premieres at the National Theatre (The Habit of Art, People, Hymn and Cocktail Sticks), a West End double-bill transfer, and the films of The History Boys and The Lady in the Van.

There's a provocative sermon on private education given before the University at King's College Chapel, Cambridge, and 'Baffled at a Bookcase' offers a passionate defence of the public library. This is an engaging, humane, sharp, funny and unforgettable record of life according to the inimitable Alan Bennett.

Made-for-TV BBC adaptation of Lewis Carroll's classic children's book from film-maker Jonathan Miller. Young girl Alice (Anne-Marie Mallik) falls down the White Rabbit (Wilfrid Brambell)'s hole into a bizarre world full of eccentric characters such as the Caterpillar (Michael Redgrave), the Mock Turtle (John Gielgud) and the Mad Hatter (Peter Cook). Peter Sellers also stars as the King of Hearts. The film features music by Ravi Shankar.

Green Forms Doris and Doreen are comfortably installed in an obscure department of a large organization. On a normal day they keep busy by flirting with nice Mr Tidmarsh in Appointments or pursuing their feud over a plug with Mr Cunliffe in Personnel. This is not a normal day. Someone has an eye on them and a shadow is falling across their tranquil lives. Are they about to be fired? A Visit From Miss Prothero Mr Dodsworth has recently retired. Sitting at home, he is contemplating his life and achievements with quiet satisfaction. There is a sharp ring at the door. His former secretary has come to ruin it all. Ironic wit and compassion mark this touchingly real story.

As Allied air force bombers mercilessly pound Nazi Germany every night in late 1943, the decision is made to send a number of journalists on a mission to Berlin. One of them was a young American journalist Lowell Bennett, who had made his name reporting on the Allied invasion of Tunisia. When their Avro Lancaster is hit by Luftwaffe fighters, everyone is forced to bail out. Bennett was taken prisoner upon landing in Germany. Before delivering him to a prison camp for the duration of the war, Bennett’s captor, a German officer, decides to take him on a tour of various German cities, a submarine base, and the Ruhr in order to let the journalist see for himself the terrible suffering of the civilian population, the prime target of Allied bombing. In this vivid first-hand account of his experiences, Bennett expresses his indignation at this selective bombing and vehemently criticises the Allies' strategic bombing policies. Controversial at the time of its publication in 1945, Bennett's account remains the only first-hand report by an Allied journalist of the RAF and USAAF bombing raids seen from ground level.

The Shielding of Mrs Forbes Graham Forbes is a disappointment to his mother, who thinks that if he must have a wife, he should have done better. Though her own husband isn't all that satisfactory either. Still, this is Alan Bennett, so what is happening in the bedroom (and in lots of other places too) is altogether more startling, perhaps shocking, and ultimately more true to people's predilections. The Greening of Mrs Donaldson Mrs Donaldson is a conventional middle-class woman beached on the shores of widowhood after a marriage that had been much like many others: happy to begin with, then satisfactory and finally dull. But when she decides to take in two lodgers, her mundane life becomes much more stimulating...

'Thinking Betty was in the bath Graham was watching a late-night programme on Channel 4 called Footballers with Their Shirts Off when she unexpectedly came in on the trail of the hairdryer.

"I didn't know you were interested in football," said Betty.'

No one must ever find out that Graham is 'not the marrying sort'. Certainly not his wife, or his mother. As sex, blackmail and fanatical tidiness take over the West Yorkshire parish of Alwoodley, an unlikely caper unfolds.

The tales of Ratty, Mole, Badger and Toad. When Mole goes boating with the Water Rat instead of spring-cleaning, he discovers a new world. As well as the river and the Wild Wood, there is Toad's craze for fast travel which leads him and his friends on a whirl of trains, barges, gipsy caravans and motor cars and even into battle.

Susan is a vicar's wife suffocated by the expectations forced on her by her position and her husband's over-zealous parishioners. She is also an alcoholic who travels into Leeds to go to the off-licence because of her debts with the local shopkeeper. In frustration, she embarks on an affair with the off-licence owner, Ramesh, discovering something about herself and God in the process.

The social services department of the council is preparing a register of the elderly in the area and eager but green June Potter (recently transfered from transport) is despatched to gather information while obtaining some hands-on-experience. Mam and Dad are in their 60s and therefore must be in need of registering - but Mam and Dad, perfectly alert, able-bodied and streetwise have no intention of being registered. Thrown by Mam's no-nonsense approach, the increasingly desperate June resorts to Mr Farquarson's detailed notes on "Conducts of Interviews", while Mam sorts her out. This comic, ironic look at patronizing bureaucracy was first televised in 1982.

Muriel's husband Ralph has just died, leaving her rather well off - until that is, her son Giles gets his hands on the money. Unused to thinking about financial matters, Muriel submits to Giles' plans and comes out the loser as he has invested unwisely. Eventually, neglected by Giles and no longer needed by her disturbed daughter Margaret, Muriel ends the play alone and poor. Brisk, bright and eternally optimistic, she is determined to "soldier on", her persistent cheerfulness striking an icy note in this cool and merciless monologue of self-deception and moral blindness from the stage version of "Talking Heads".

At work Peggy has carved herself a comfortable niche. Once in hospital, she loses no time in establishing herself as Queen Bee, taking on several responsibilities. Persistently cheerful, blind to the feelings of others and, at heart, terribly lonely, Peggy is at once a richly comic and desperately moving creation, providing a rewarding challenge for a mature actress.